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Art Incubation

The largest artist fellowship in Japan, recruiting projects by artists to serve as CCBT partners

FY 2026
CCBT Artist Fellows
Now accepting applications
for 5 groups!

Mission

Artistic Expression, Exploration, and Action Changing Tokyo for the Better through Creativity and Technology

Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better.

Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.

What CCBT Artist Fellows Do

  1. Develop and present new creative projects and research
    Conduct creative activities and R&D while based at CCBT, and exhibit and present the results of those projects at CCBT and around the city
  2. Make their creative activities and research processes public
    Foster opportunities for members of the public to come into contact with the intersection of creativity and technology through creative endeavors and making these processes public as well as holding workshops, lectures, and other events
  3. Collaborate and co-create with others
    Lead collaboration with the various kinds of people who come together at CCBT (members of the public, artists, designers, engineers, etc.) and the organizations and groups in the CCBT network, and build a platform for co-creating the future

Application Summary

Theme

“Civic Fashion”

Fashion is a symbolic reflection of the social contexts and institutions of the day, and possesses limitless potential for expressing our highly diverse individuality. Taking this notion of fashion as a starting point, we are seeking various kinds of creative projects and artistic activities that harness the transformational possibility of technology to temporarily form and practice something yet to exist, transcending current understanding and customs.

Examples:

  • Performance works that trigger transformations in human behavior and relationships in urban spaces
  • Public arts that prototype new forms of public space by updating the nature of human relationships and participation
  • Visual archives that re-edit images and symbols in our surroundings, and present cultural contexts
  • Fashion design that redefines the concept of wearing by expanding sensory experiences through technology

Theme Overview

The goal is not to question clothing (fashion) itself.

Clothing is a semiotic reflection of the behavior and social backgrounds of people at a given time. It reveals the urgent issues we face today, not least the chronic polarization of our world. In other words, clothing can be another means of understanding the world.

On the outskirts of Shibuya, where CCBT was formerly located, is an area called Okushibu. CCBT is now located in Harajuku, where there is a neighborhood called Ura-Harajuku. These communities emerged as antitheses to mainstream fashion trends and consumer culture. They were spontaneous movements that challenged the center through free-form editing and expression rooted in individual ideas and values.

And as we know, culture cannot be renewed without such tension.

Incidentally, the word “fashion” derives from the Latin factio. Linked to the verb facere, meaning to do or make, factio refers to a band or group, and a kind of collective act.

Harajuku is a place interlaced with the traces of various cultural movements. At CCBT, a “vacant lot” that has newly appeared in the neighborhood without constraints on specification or use, we are seeking different kinds of projects and creative activities that go beyond superficial fashions, transcending social norms, customs, and institutions to temporarily form something yet to exist.

So that the spontaneous movements of each and every one of us can shape a new community (city), and so that culture always continues to update.

Civic Creative Base Tokyo

Support Available for Fellows

  1. Production Support
    Financial and environmental support for fellows in the form of production costs of up to ¥10 million and facilities for working on the project and holding meetings, etc. 
  2. Leveling Up
    Opportunities for advice and technical support from mentors and other experts to help realize the project
  3. Promotion
    Promotion via the CCBT website and social media channels, publicity in pamphlets and venue signage, and documentation and archiving of the work/project
  4. Management
    Help with procedures for using venues necessary for exhibiting work/project widely, venue operation, equipment use, artwork installation, etc.

Mentors

Shikata Yukiko (Curator, Critic)
Hal Seki (Founder, Code for Japan)
Tsugawa Eri (Architect, Director / ALTEMY)
and others.

Fellowship Period

July 1 (Wed), 2026 – March 31 (Wed), 2027
(During the fellowship period, fellows are expected to participate in CCBT activities in a variety of ways)

How to Apply

Please review the application guide and submit your application via the online form.
* The application form will be available starting at 2:00 PM on April 1, 2026.
* Applications will be accepted only in electronic format. We do not accept applications by mail.

Application Period

April 1 (Wed), 2026 – April 19 (Sun), 2027
(Application materials must be received by this date)

Inquiries regarding this program
CCBT Art Incubation Program Administrative Office (c/o TASKO)
Contact Persons: Kato, Mukai, Uehara
Email: contact@ccbt-art-incubation.jp
Phone: 03-6456-5210 (Hours: 10:00 AM–6:00 PM [excluding Saturdays, Sundays, and holidays])

Artist Fellows

Mentors

Shikata Yukiko (Curator, Critic)
Shimizu Tomoko (Cultural theorist / Tokyo University of the Arts)
Hal Seki (Founder, Code for Japan)
Tsugawa Eri (Architect, Director / ALTEMY)
Mizuno Tasuku (Lawyer, Attorney)  and others.

Application Outline

Application Period

April 1 (Tue) – April 20 (Sun), 2025

Application numbers

122

Mentors

Ukawa Naohiro (Contemporary Artist, DOMMUNE CEO)
Shimizu Tomoko (Cultural theorist / Tokyo University of the Arts)
Tanaka Miyuki (Curator, Producer)
Mizuno Tasuku (Lawyer, Attorney)

Application Outline

Application Period

April 25 (Thu) – May 26 (Sun), 2024

Categories
  1. Tools and platforms with a focus on future creativity, and artistic practices harnessing such tools and platforms
  2. Inquiries and artistic research on future humanity, and artistic practices harnessing such research
Application numbers

86

Mentors

Isu Taeko (Art director, Graphic designer)
Ukawa Naohiro (Contemporary Artist, DOMMUNE CEO)
Kuze Shozo (Artist, Engineer)
Takekawa Junichi (Director / MUTEK Japan)
Tanaka Miyuki (Curator, Producer)
Hosokawa Asami (General Manager / Sapporo International Art Festival Executive Committee Secretariat)

Application Outline

Application Period

Thursday, May 11, 2023 – Sunday, Jun 4, 2023

Themes
  1. New artistic expression responding to artificial intelligence and other forms of technology
  2. Projects and artistic expression that engage with aspects of Web3 creativity like NFTs and XR
  3. Music and performing arts aiming to build a new scene for the digital age
  4. Projects accessible to both able-bodied and disabled people
  5. Platforms that are socially engaged or participatory for members of the public, such as hackathons and workshops
Application numbers

141

Mentor

Ito Takayuki (R&D Director, Yamaguchi Center for Arts and Media [YCAM])
Seiichi Saito (Director, Panoramatiks)
Isu Taeko (Art director, Graphic designer)
Iwaya Tamio (Graphic Designer)
Takekawa Junichi (Director, MUTEK Japan)
Hosokawa Asami (General Manager, Sapporo International Art Festival Executive Committee Secretariat)

Application Outline

Application Period

Wednesday, July 20, 2022 – Wednesday, August 10, 2022

Themes
  1. New artworks using technology
  2. Performing arts and interactive art staged in the city
  3. Videos/films about Tokyo youth culture
Application numbers

70

Fellows’ Activities

.
2025年度CCBTアーティスト・フェロー岸裕真によるPodcastシリーズ「Parallel Plants Prompts」第5弾公開!!🔊

この番組は、アーティスト・岸裕真と、ナビゲーター・中山祐之介が花屋、庭師、そして純粋に植物を愛する人々を訪ねるシリーズ。
私たちは彼らを、植物の言葉を人間の世界へと繋いできた「植物の翻訳者」と呼び、その仕事場でそっとマイクを向けます。

#05|いとうせいこうと語るボタニカルインテリジェンス。ベランダで目撃した、したたかな知性|いとうせいこう

第5回のゲストは、作家・クリエイターであり、ベランダで植物を育てる人々を「ベランダー」と名付けて独自のボタニカル・ライフを提唱してきた、いとうせいこうさん。
多種多様な植物とベランダで格闘し、時に翻弄されてきた、いとうせいこうさん。長年の観察と対話の中で見えてきたのは、ただそこにあるように見える植物たちが持つ、驚くほど戦略的で「したたかな」知性でした。

視聴はこちらから📲
https://open.spotify.com/episode/12XWPzPkMK9H7nwO1fblRs?si=0kG4jcK4Q9mKp1fi6qjAfQ

___________________

ℹ️Information

◤岸裕真 展覧会「平行森林 Parallel Forests」◢
開催日時:2026年3月13日(金)〜2026年3月15日(日)17:30-20:30 *最終入館20:30
会場:海の森公園(東京都江東海の森3-3)
※新木場駅より無料シャトルバスを運行予定
観覧料:無料(※事前予約制・先着順、各日定員100名)
詳細URL:https://renewal.ccbt.rekibun.or.jp/ja/events/parallel-forests

#ccbt #ccbtokyo #aip #artincubation
.
2025年度CCBTアーティスト・フェロー岸裕真によるPodcastシリーズ「Parallel Plants Prompts」第4弾公開!!🔊

この番組は、アーティスト・岸裕真と、ナビゲーター・中山祐之介が花屋、庭師、そして純粋に植物を愛する人々を訪ねるシリーズ。
私たちは彼らを、植物の言葉を人間の世界へと繋いできた「植物の翻訳者」と呼び、その仕事場でそっとマイクを向けます。

#04|都市の営みが土に還る。日本最小の植物園の「大きな」エコシステム|渋谷区ふれあい植物センター

第4回のゲストは、渋谷駅からほど近い場所にある「渋谷区ふれあい植物センター」園長の小倉崇さん。ここは「日本で一番小さな植物園」でありながら、都市と自然を繋ぐ壮大な実験場でもあります。
面白さは、そのユニークな成り立ちにあります。隣接する清掃工場の電力で稼働するこの場所は、単に植物を鑑賞する施設ではありません。都市で暮らす人々の日常の営みや、そこから生まれるゴミといったものが、巡り巡って「街の中で植物を育てる力」へと還元されていく。物理的な空間は日本最小ですが、そこから広がるエコシステムは、植物園の敷地を越えて街全体へと繋がっています。

視聴はこちらから📲
https://open.spotify.com/episode/0xvwa8hN2DgTsJKWc5kbfC?si=4hO-bZBEQNSj6jrlw6JeVA

___________________

ℹ️Information

◤岸裕真 展覧会「平行森林 Parallel Forests」◢
開催日時:2026年3月13日(金)〜2026年3月15日(日)17:30-20:30 *最終入館20:30
会場:海の森公園(東京都江東海の森3-3)
※新木場駅より無料シャトルバスを運行予定
観覧料:無料(※事前予約制・先着順、各日定員100名)
詳細URL:https://renewal.ccbt.rekibun.or.jp/ja/events/parallel-forests

#ccbt #ccbtokyo #aip #artincubation