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Art Incubation

The largest artist fellowship in Japan, recruiting projects by artists to serve as CCBT partners

FY 2026
CCBT Artist Fellows
Now accepting applications
for 5 groups!

Mission

Artistic Expression, Exploration, and Action Changing Tokyo for the Better through Creativity and Technology

Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better.

Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.

What CCBT Artist Fellows Do

  1. Develop and present new creative projects and research
    Conduct creative activities and R&D while based at CCBT, and exhibit and present the results of those projects at CCBT and around the city
  2. Make their creative activities and research processes public
    Foster opportunities for members of the public to come into contact with the intersection of creativity and technology through creative endeavors and making these processes public as well as holding workshops, lectures, and other events
  3. Collaborate and co-create with others
    Lead collaboration with the various kinds of people who come together at CCBT (members of the public, artists, designers, engineers, etc.) and the organizations and groups in the CCBT network, and build a platform for co-creating the future

Application Summary

Theme

“Civic Fashion”

Fashion is a symbolic reflection of the social contexts and institutions of the day, and possesses limitless potential for expressing our highly diverse individuality. Taking this notion of fashion as a starting point, we are seeking various kinds of creative projects and artistic activities that harness the transformational possibility of technology to temporarily form and practice something yet to exist, transcending current understanding and customs.

Examples:

  • Performance works that trigger transformations in human behavior and relationships in urban spaces
  • Public arts that prototype new forms of public space by updating the nature of human relationships and participation
  • Visual archives that re-edit images and symbols in our surroundings, and present cultural contexts
  • Fashion design that redefines the concept of wearing by expanding sensory experiences through technology

Theme Overview

The goal is not to question clothing (fashion) itself.

Clothing is a semiotic reflection of the behavior and social backgrounds of people at a given time. It reveals the urgent issues we face today, not least the chronic polarization of our world. In other words, clothing can be another means of understanding the world.

On the outskirts of Shibuya, where CCBT was formerly located, is an area called Okushibu. CCBT is now located in Harajuku, where there is a neighborhood called Ura-Harajuku. These communities emerged as antitheses to mainstream fashion trends and consumer culture. They were spontaneous movements that challenged the center through free-form editing and expression rooted in individual ideas and values.

And as we know, culture cannot be renewed without such tension.

Incidentally, the word “fashion” derives from the Latin factio. Linked to the verb facere, meaning to do or make, factio refers to a band or group, and a kind of collective act.

Harajuku is a place interlaced with the traces of various cultural movements. At CCBT, a “vacant lot” that has newly appeared in the neighborhood without constraints on specification or use, we are seeking different kinds of projects and creative activities that go beyond superficial fashions, transcending social norms, customs, and institutions to temporarily form something yet to exist.

So that the spontaneous movements of each and every one of us can shape a new community (city), and so that culture always continues to update.

Civic Creative Base Tokyo

Support Available for Fellows

  1. Production Support
    Financial and environmental support for fellows in the form of production costs of up to ¥10 million and facilities for working on the project and holding meetings, etc. 
  2. Leveling Up
    Opportunities for advice and technical support from mentors and other experts to help realize the project
  3. Promotion
    Promotion via the CCBT website and social media channels, publicity in pamphlets and venue signage, and documentation and archiving of the work/project
  4. Management
    Help with procedures for using venues necessary for exhibiting work/project widely, venue operation, equipment use, artwork installation, etc.

Mentors

Shikata Yukiko (Curator, Critic / Director of Towada Art Center)
Hal Seki (Founder, Code for Japan)
Tsugawa Eri (Architect, Director / ALTEMY)
and others.

Fellowship Period

July 1 (Wed), 2026 – March 31 (Wed), 2027
(During the fellowship period, fellows are expected to participate in CCBT activities in a variety of ways)

How to Apply

Please review the application guide and submit your application via the online form.
* The application form will be available starting at 2:00 PM on April 1, 2026.
* Applications will be accepted only in electronic format. We do not accept applications by mail.

Application Period

April 1 (Wed), 2026 – April 19 (Sun), 2027
(Application materials must be received by this date)

Inquiries regarding this program
CCBT Art Incubation Program Administrative Office (c/o TASKO)
Contact Persons: Kato, Mukai, Uehara
Email: contact@ccbt-art-incubation.jp
Phone: 03-6456-5210 (Hours: 10:00 AM–6:00 PM [excluding Saturdays, Sundays, and holidays])

Artist Fellows

Mentors

Shikata Yukiko (Curator, Critic)
Shimizu Tomoko (Cultural theorist / Tokyo University of the Arts)
Hal Seki (Founder, Code for Japan)
Tsugawa Eri (Architect, Director / ALTEMY)
Mizuno Tasuku (Lawyer, Attorney)  and others.

Application Outline

Application Period

April 1 (Tue) – April 20 (Sun), 2025

Application numbers

122

Mentors

Ukawa Naohiro (Contemporary Artist, DOMMUNE CEO)
Shimizu Tomoko (Cultural theorist / Tokyo University of the Arts)
Tanaka Miyuki (Curator, Producer)
Mizuno Tasuku (Lawyer, Attorney)

Application Outline

Application Period

April 25 (Thu) – May 26 (Sun), 2024

Categories
  1. Tools and platforms with a focus on future creativity, and artistic practices harnessing such tools and platforms
  2. Inquiries and artistic research on future humanity, and artistic practices harnessing such research
Application numbers

86

Mentors

Isu Taeko (Art director, Graphic designer)
Ukawa Naohiro (Contemporary Artist, DOMMUNE CEO)
Kuze Shozo (Artist, Engineer)
Takekawa Junichi (Director / MUTEK Japan)
Tanaka Miyuki (Curator, Producer)
Hosokawa Asami (General Manager / Sapporo International Art Festival Executive Committee Secretariat)

Application Outline

Application Period

Thursday, May 11, 2023 – Sunday, Jun 4, 2023

Themes
  1. New artistic expression responding to artificial intelligence and other forms of technology
  2. Projects and artistic expression that engage with aspects of Web3 creativity like NFTs and XR
  3. Music and performing arts aiming to build a new scene for the digital age
  4. Projects accessible to both able-bodied and disabled people
  5. Platforms that are socially engaged or participatory for members of the public, such as hackathons and workshops
Application numbers

141

Mentor

Ito Takayuki (R&D Director, Yamaguchi Center for Arts and Media [YCAM])
Seiichi Saito (Director, Panoramatiks)
Isu Taeko (Art director, Graphic designer)
Iwaya Tamio (Graphic Designer)
Takekawa Junichi (Director, MUTEK Japan)
Hosokawa Asami (General Manager, Sapporo International Art Festival Executive Committee Secretariat)

Application Outline

Application Period

Wednesday, July 20, 2022 – Wednesday, August 10, 2022

Themes
  1. New artworks using technology
  2. Performing arts and interactive art staged in the city
  3. Videos/films about Tokyo youth culture
Application numbers

70

Fellows’ Activities

.
2026年度CCBTアート・インキュベーション・プログラム💫新メンター紹介👤

石川由佳子(@kiki_yukako)
-アーバニスト、エクスペリエンス・デザイナー/一般社団法人 for Cities共同代表理事/Dear Tree Project主宰/一般社団法人ソーシャルグリーンデザイン協会理事/watage ディレクター/nae ディレクター/女子美術大学非常勤講師

「自分たちの手で、都市を使いこなす」ことをモットーに、東京、カイロ、ホーチミンなど国内外の都市で市民主体の小さな活動を街の中で企てていく。都市体験のデザインスタジオ「for Cities」共同代表理事。世界中のアーバニストのためのプラットフォーム「forcities.org」や学びの場「Urbanist School」を国内外で企画・運営。神田にコミュニティ拠点「watage」、西新宿に「nae」を立ち上げ。ユース世代や子どもを中心とした地域プロジェクトを展開。街路樹や都市のみどりを活用するためのデータプラットフォーム「Dear Tree Project」主宰。

詳細URL⬇️
https://ccbt.rekibun.or.jp/players/ishikawa-yukako

#ccbt #ccbtokyo  #AIP #artincubation
.
2026年度CCBTアート・インキュベーション・プログラム💫新メンター紹介👤

蘆田裕史(@ihsorihadihsa)
-ファッション論、京都精華大学デザイン学部教授

1978年生まれ。京都大学大学院人間・環境学研究科博士課程単位取得退学。京都服飾文化研究財団アソシエイト・キュレーターなどを経て、現在、京都精華大学デザイン学部教授。専門はファッション論。著書に『言葉と衣服』(2021年、アダチプレス)、『クリティカル・ワード ファッションスタディーズ』(共編著、2022年、フィルムアート社)など。訳書にヴァレリー・スティール『ファッションセオリー——ヴァレリー・スティール著作選集』(共監訳、2025年、アダチプレス)などがある。ファッションの批評誌『vanitas』(アダチプレス)編集委員、本と服の店「コトバトフク」の運営メンバーも務める。

詳細URL⬇️
https://ccbt.rekibun.or.jp/players/ashida-hiroshi

#ccbt #ccbtokyo  #AIP #artincubation