Home / Events / Outdoor Promenade Performance-Exhibition “Pavilion ZERO: Aquarium of Air” by Fuse Rintaro
Art Incubation

Outdoor Promenade Performance-Exhibition “Pavilion ZERO: Aquarium of Air” by Fuse Rintaro

2025.02.08(Sat)–09(Sun)
Kasai Rinkai Park (6-chōme-2-2 Rinkaichō, Edogawa City, Tokyo)
 
Date & Time
February 8 (Sat), 2025 10:00-/ 13:30- February 9 (Sun), 2025 10:00-/ 13:30-
Venue
Kasai Rinkai Park (6-chōme-2-2 Rinkaichō, Edogawa City, Tokyo)
Target
Ages 10 and up
Capacity
Approximately 20 participants per session (4 sessions in total, advance reservation required)
Admission
Free

“Pavilion ZERO: Aquarium of Air,” the core and largest part of the multilayered art project by 2024 CCBT artist fellow Fuse Rintaro is held at Kasai Rinkai Park. Register for the event to immerse yourself in this fantasy aquarium on land, at sea, and in the air. The works on display in the park can also be viewed by visitors without participating in the tour.

“Pavilion ZERO: Aquarium of Air” is an outdoor promenade performance-exhibition that forms the first part of the multilayered Pavilion ZERO art project by 2024 CCBT artist fellow Fuse Rintaro.
Comprising a tour-style exhibition, planetarium screening, and magazine publications, Pavilion ZERO adopts various means to explore the nature of the “ground” of Japan from the context of Japanese contemporary art as an expanded land art endeavor.

Forming the core and largest part of the project, the exhibition is held at Kasai Rinkai Park, which was built on reclaimed land to house facilities for the public as well as flora and fauna, including migratory birds, unlike many examples of landfill sites, which are often developed for industrial or military purposes. At its center is Tokyo Sea Life Park, an aquarium designed by the late architect Taniguchi Yoshio, and which will move to a new building in 2028.

“Pavilion ZERO: Aquarium of Air” plays with the dual sense of “air” as meaning something that is empty and in the sky. Held on two days (February 8 and February 9) only, the tour guide is Fuse himself. Participants put on a head-mounted display and walk around, experiencing the park in both augmented and virtual realities while encountering the moving image, sounds, performances, and sculptural objects created by the artists. A performance is also held on a boat.

Register for the event to immerse yourself in this fantasy aquarium at Kasai Rinkai Park on land, at sea, and in the air. The works on display in the park can also be viewed by visitors without participating in the tour. Further information about exhibit locations will be announced at a later date.

Artists

Yonezawa Shu, Itagaki Ryoma, Wakui Tomohito, Kurosawa Koharu, Kurachi Tomonosuke, Yonemura Yuto, Aoyagi Natsumi, Komatsu Kazumichi, Fuse Rintaro

Map

Outline

■Exhibition
Date: February 8-9, 2025 10:00 a.m.-4:30 p.m.
Venue : Kasai Rinkai Park
Reception: Bird Watching Center
*Open for free viewing by all visitors.

■Outdoor Promenade Performance-Exhibition “Pavilion ZERO: Aquarium of Air”
Date & Time: February 8 – 9, 2025, 10:00 AM / 1:30 PM (each session lasts approximately 2 hours)
※Reception starts 15 minutes before each session.
Venue: Kasai Rinkai Park
Capacity: Approximately 20 participants per session (4 sessions in total, advance reservation required)
Eligibility: Ages 10 and up
Participation: Free

Important Notes for Applying to the Performance-Exhibition

– Participants will walk through the park for approximately 2 hours while viewing artworks and performances using a head-mounted display (HMD), which will be worn and removed at various points during the tour. If you have difficulty wearing an HMD, please refrain from applying. (The HMD can be worn over glasses.)
– Participants must be 10 years or older, in accordance with the regulations of the Meta Quest 3 HMD used in the tour.
– Each person may apply only once. Multiple applications for different sessions or days are not allowed.
– If you require special assistance or use a wheelchair, please indicate this at the time of application.
– The tour will be conducted entirely in Japanese.
– In case of rain, some parts of the tour may be modified.
– Photography and video recording will take place during the tour, and participants may appear in the footage. The recorded content will be used for documentation and promotional activities by the organizers. It may also be featured on official online platforms, social media, and external media such as newspapers, TV, and magazines. Additionally, the footage will be used as material for a work to be screened at the Planetarium Screening “Observation Report – Testimonies of Air” event on Saturday, March 15.

Access

Kasai Rinkai Park (6-2 Rinkaicho, Edogawa City, Tokyo)

– JR Keiyo Line: Get off at Kasai-Rinkai Park Station, 1-minute walk.
– Tokyo Metro Tozai Line: From Nishi-Kasai (T16) or Kasai (T17) stations, take a Toei Bus bound for Kasai Rinkai Park (approximately 20 minutes).

Credits

Tour Guide, Planning, Direction, Script: Fuse Rintaro
XR Design: Jackson KAKI
XR Content Production: Yonezawa Shu, Fuse Rintaro, Komatsu Kazumichi
Art Direction: Yagi Heijiro, Sakai Eisaku
Technical Direction: Murakawa Ryuji (arsaffix), Ito Yuya (arsaffix)
Technical Support: Amemiya Yosuke
Documentary Photography: Takehisa Naoki
Production Management: Sakaguchi Chiaki, Kato Naho (TASKO), Shimada Mei (CCBT)

“Pavilion ZERO”

An art project “Pavilion ZERO” by Fuse Rintaro that comprehensively integrates research, practice, and theory to critically adopt various means to explore the nature of the “ground” of Japan from the context of Japanese contemporary art as an expanded land art endeavor. It will unfold across three programs (magazine publications, an outdoor promenade performance-exhibition, and a planetarium screening).


Project structure

1. Outdoor Promenade Performance-Exhibition Pavilion ZERO : Aquarium of Air

Dates&Time: February 8,9 10:00- / 13:30- (Duration: Around 120 min. tour)
Venue: Kasai Rinkai Park

2. Planetarium Screening Observation Report : Testimony of Air

Date&Time: March 15 14:30- / 16:00- / 17:30-
Venue: Cosmo Planetarium Shibuya (Shibuya Cultural Center Owada 12F)

3. Magazine Dream Island

Publication date: March 11 (Tue.), 2025


CCBT Art Incubation Program

One of CCBT’s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.

布施琳太郎プロフィール
Photo: Takehisa Naoki

Fuse Rintaro

Artist

Exploring through poetry and writing how to regain a sense of being with others and recover from the urban solitude that has emerged since the appearance of the first smartphone, Fuse Rintaro’s practice encompasses moving image, websites, exhibition curation, book publication, and event programming. Major exhibitions include the installation Another Mew, which was based on his novel, at “ ‘New “Artists Today’ Exhibition 2024: I Found Myself in You” (2024, Yokohama Civic Art Gallery), the solo show “New Corpse = Dead Corpus” (2022, PARCO Museum Tokyo) and “Planet Samasa” (2022, former site of Odaka Binding Factory), which he curated in a disused printing factory. His publications include How to Write Love Letters (2023, Shobunsha) and the poetry collection Catalogue of Tears (2023, PARCO Publishing).

Yonezawa Shu

Artist, animator

Born in Tokyo, Yonezawa Shu is an artist and animator. She explores the physicality of characters in contemporary digital animations as well as the spiritual physicality and emotions of living creatures in actual spaces, and the atmosphere of the spaces that animation inhabits through painting, moving image, poetry, texts, physical phenomena, and more. Her major work and solo exhibitions include “HAPPY BIRTH” (2023, Parco Museum Tokyo), “Newborn Friends” (2023, BLOCK HOUSE), “OPEN SITE 7: no name” (2022, Tokyo Arts and Space Hongo), “Extinct Anima at Planet Samsa” (2022, former site of Odaka Binding Factory), and “Obake no Bʹ: The Movie” (2022, NTT InterCommunication Center), and she also co-curated the music event “Everything Beautiful Appearing in Nature” (2022–23).

https://x.com/mendakoanimehttps://www.instagram.com/mendakoanime/

Itagaki Ryoma

Artist

Itagaki Ryoma’s practice searches for the vanishing points of the present by applying contemporary perspectives to redefine and reinterpret preconceived notions regarding space, direction, time, land, and the universe that exist unconsciously in our minds. Focusing on how our conception of the cosmos shifted from geocentrism to heliocentrism, and based on our belief in today’s information society, he advocates a “new geocentrism” centering on the location information found in our devices, and develops art derived from that new geocentrism.

ざらついたモノクロ画面に、ドア枠の前で薄いガラス越しにこちらを直視する男性の写真

Wakui Tomohito

Visual artist, music artist, Director and Curator / WHITEHOUSE

Born in Niigata in 1990, Wakui Tomohito is a visual and music artist as well as the director and curator of WHITEHOUSE. His major exhibitions include “nonno” (2016, 8/ART GALLERY/Tomio Koyama), “Dark Independants” (2020, online and Tokyo), “JUNK’S PORTS” (2023, ANOMALY), “Electricity-Sound” (2023, 21st Century Museum of Contemporary Art), and “A Personal View of Japanese Contemporary Art: Takahashi Ryutaro Collection” (2024, Museum of Contemporary Art Tokyo).

https://tomohitowakui.com/https://7768697465686f757365.com/

Kurosawa Koharu

artist

Born in 2005 in Tokyo, Kurosawa Koharu is a first-year student majoring in oil painting at Tokyo University of the Arts. Her practice focuses on moving image and performance art. She uses the body to explore how raw parts of things get archived as information, and fact and fiction become indistinguishable. Accepting the subjectivity of humans as living creatures that becomes apparent through using the body, and the lack of distinction between fact and fiction, her practice is a romance of continually extending a hand to others beyond the reach of those things.

Kurachi Tomonosuke

Artist

Born in 1997 in Aichi, Kurachi Tomonosuke graduated from the Tokyo University of the Arts Graduate School of Film and New Media with a degree in new media. Based in Tokyo, his video installation–centered practice focuses on the strangeness that arises randomly within daily life, and the behavior of the things that cause that. His major solo exhibitions include “Okra Neighbor” (2024, BUoY) and group exhibitions include “ANTEROOM TRANSMISSION Vol. 3 – 24/7” (2024, GALLERY 9.5 SEOUL), “AJI/DOKORO” (2023, Kanagawa Kenmin Hall Gallery), and “Planet Samsa” (2022, former site of Odaka Binding Factory).

Yonemura Yuto

Artist

Born in 1996 in Osaka Prefecture, Yonemura Yuto graduated in 2019 with a degree in mixed media from Kyoto University of Art and Design. Rooted in his interests and aspirations toward overwhelming entities beyond human knowledge and toward specific figures based on personal experiences, his practice employs a wide range of mediums, from clay to stone and fiber-reinforced plastics. Yonemura creates unique stories told through physical relationships, and explores the inner emotions they involve like pain, fear, aspiration, and awe.

Aoyagi Natsumi

Artist, poet

Born in 1990 in Tokyo, Aoyagi Natsumi is visual artist and poet. Her project-based practice is rooted in fieldwork and research as a contemporary artist who employs moving image. Her recent work includes the solo exhibition “Logbook of a Sea Goddess” (2022, Towada Art Center satellite venue space) and the group show “ICC Annual 2024: Faraway, so close” (2024, NTT InterCommunication Center). Her poetry collection Done Being Nurtured (2022, thoasa) won the 28th Nakahara Chuya Prize. Aoyagi is the head of the honkbooks practitioner art collective. She also works under the name Datsuo.

Komatsu Kazumichi

Composer, Visual artist, DJ

Born in 1992 in Kochi Prefecture, Komatsu Kazumichi’s research and practice uses light and sound to explore primitive technologies in the transmission and storage of past information. His major exhibitions include “Osaka Directory 7 supported by RICHARD MILLE: Komatsu Kazumichi” (2024, Nakanoshima Museum of Art, Osaka), “Planet Samsa” (2022, Ushigome Kagurazaka, Tokyo), “Standing Ovation / Destination of Four Limbs” (2021, former Hotel New Acao, Shizuoka), and “FAKEBOOK” (2016, Workstation., Tokyo).

https://kazumichikomatsu.com/

JACKSON kaki

artist, DJ, VJ, video artist, graphic designer

Born in 1996 in Shizuoka Prefecture, currently enrolled at the Institute of Advanced Media Arts and Sciences. Works with multimedia including VR/AR, 3DCG, video, performance, installation, and sound, focusing on the natural aspects of the body and the concept of virtual reality through production and research. Also active as a director and curator of art projects. In 2022, used the Shibuya club ‘CONTACT’ for the art project ‘Imaginary Line’. In 2023, co-curated the Video/Sound/Performance program at EASTEAST_TOKYO with QIUYU JIN, and served as the director of ‘ZOR’ held at CALM & PUNK GALLERY.

https://twitter.com/Kakiaraara https://www.instagram.com/kakiaraara/ https://www.tiktok.com/@kakiaraara https://www.youtube.com/@kakijackson2697

Yagi Heijiro

Art director, graphic designer

Born in 1999 in Tokyo, Yagi Heijiro’s graphic design–centered practice strives to uncover the fundamental graphic aspects of design from futuristic perspectives. His output encompasses posters and visuals as well as CD and book design. Yagi’s major exhibitions include the solo shows “a mis-print” (2022, The 5th Floor), “Dynamesh” (2022, T-House New Balance), “NOHIN: The Innovative Printing Company” (2024, ginza graphic gallery), and the group show “power/point” (2022, akibatamabi21).

Sakai Eisaku

Writer, editor

Born in 1993 in Kanagawa, Sakai Eisaku is a writer specializing in visual culture and the arts, especially interviews with photographers and reviews of photography exhibitions. He is also recently involved as an editor with planning and producing exhibitions, and publishing art books.

Production
Fuse Rintaro
Organizer
Civic Creative Base Tokyo [CCBT]