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Art Incubation

Yamauchi Shota Public Meeting: Rhizomatic Production

2026.02.07(Sat)
Civic Creative Base Tokyo [CCBT] B1, TechLab
Date & Time
February 2, 2026 1:00 pm – 6:00 pm
Venue
Civic Creative Base Tokyo [CCBT] B1, TechLab
Admission
Free

Members: Arai Yusaku (sound artist), Jin Qiuyu (curator、researcher), Jindo Asako (arts manager, field worker), Sone Koki (creative director, design technologist), Takamizawa Shunsuke (artist, engineer), Tagami Aoi (vocalist), Miyoshi Karu (artist), Yamauchi Shota and others

This public meeting shares the creative process behind In Between . . . Us?, held in a park in Tokyo as part of the 2025 CCBT artist fellow Yamauchi Shota’s Encounters with the Unknown project.

This public meeting shares the creative process behind In Between . . . Us?, held in a park in Tokyo as part of the 2025 CCBT artist fellow Yamauchi Shota’s Encounters with the Unknown project.

The 2025 CCBT artist fellow Yamauchi Shota’s Encounters with the Unknown project starts from the simple question of what is the unknown, and then attempts to envisage new forms of communication not reliant on linguistic frameworks. As part of this project, Yamauchi is holding a public meeting to share the creative process behind In Between . . . Us?, his upcoming exhibition in a park in Tokyo.

A distinctive feature of the Encounters with the Unknown project is its rhizomatic production approach in which rather than bring about a single artist’s vision, the work is produced as it transmutes in relation to the collaborators’ various expertise and the environment. A rhizome originally refers to an underground stem, and but as a conceptual term, means a state of having no center or starting point, growing in multiple directions with various generative bases. Though Yamauchi’s project does indeed begin with ideas of one artist, the work produced over the course of it does not converge into a single complete image, but rather emphasizes the process itself, out of which it arises while encompassing branches and deviations.

The public meeting brings together collaborators with various expertise, including artist Yamauchi Shota, a director, engineers, performers, and sculptors. Instead of a one-sided talk where participants simply talk at the audience, the event aspires to broaden the regular production meetings that Yamauchi holds and to make the proceedings and content available to the general public.

The event offers audiences the chance to glimpse the process of trial and error by which the exhibition is created, and to gain insights into thought process of the production team.

There will be breaks during the event as well as outdoor tests. Audiences can enter and exit at any time.

Project: Encounters with the Unknown


What is the unknown? Starting from that question, this project envisages new forms of human-to-humanoid communication that do not rely on conventional linguistic frameworks. The project will result in an outdoor performance and installation, limning the moment when an unknown entity and human intersect. The unknown entity appears in the form of light and sound, as if alive in the park, and the human body gradually resonates with the light until nonverbal communication eventually begins. As the audience witnesses this process, they encounter a moment when the boundaries of existence blur.


CCBT Art Incubation Program

One of CCBT’s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.

Photo: Saito Seichi

Yamauchi Shota

Artist

Born in 1992, Yamauchi Shota completed graduate studies in new media at Tokyo University of the Arts. He explores the relationship between the self and the world as well as the cracks that open up in reality and fantasy. In addition to moving image, sculpture, and performance, his transmedia practice has recently encompassed installations that use smell.

Arai Yusaku

Sound Artist

Born in 1995 in Kanagawa, Arai Yusaku pursues primarily music-related activities. His recent output include a two (2023), which explores a photographer’s body, Melting Words (2021), and forms (2022), a collaboration with butaji under the name butasaku. As a curator, his credits include the conceptual creative practice workshop “Musical Methods” (2024) and “Public Practice and Performance” (2025).

https://yusakuarai.net/

Ishizuka Shun

graphic designer

Born in Saitama in 1983, Ishizuka Shun graduated from Waseda University with training in film and theater studies, and later launched an independent practice. Collaborating with artists and media outlets, his output includes posters and printed materials for cultural projects, as well as editorial design and branding. Since 2019, Ishizuka has run the project space People. In 2023, he received the Japan Graphic Design Association’s New Designer Award.

Qiuyu Jin

Curator, Researcher

Jin Qiuyu was born in Shanghai in 1995. From 2021 to 2024, she served as assistant professor at Nihon University College of Art, and was a doctoral student at Tokyo University of the Arts. Since 2021, she has organized the experimental moving image platform non-syntax. While majoring in art curating studies at graduate school, Jin has worked as a coordinator and curator at numerous national and international exhibitions and art fairs since 2019.

https://www.instagram.com/jinqiuyu_/

Jindo Asako

Arts manager, Researcher

Jindo Asako researches lifestyles as “loose collectives” through an anthropological lens, focused on Suzu, Ishikawa, since 2022. Her work involves articulating the worldviews of the people she encounters and weaving them into ethnographies. For Jindo, writing is a way of re-encountering people, allowing her to document projects and lives that are always evolving and never stable. Alongside her research, she organizes workshops and events centered on sound-mediated communication. Rather than reaching a final conclusion, she continues to look for ways to write about the fluid, ever-changing nature of how we live and connect with one another. Jindo is currently a PhD candidate at the Department of Arts Studies and Curatorial Practices, Graduate School of Global Arts, Tokyo University of the Arts.

Sone Koki

Creative Director, Design Technologist

Born in 1990, Sone Koki completed a master’s degree in new media studies at Graduate School of Film and New Media, Tokyo University of the Arts. He is involved in a wide range of work, from producing video with computer graphics and interactive media works to engineering the systems and tools that underpin such output. Since 2019, Sone has taught part-time at the University of Tokyo’s Interfaculty Initiative in Information Studies, and since 2025 is a specially appointed assistant professor at the Tokyo University of the Arts Art Media Center.

https://kokisone.com/

Takamizawa Shunsuke

Artist, Engineer

Born in Yamanashi Prefecture in 1993, Takamizawa Shunsuke graduated from with a degree in intermedia art from Tokyo University of the Arts in 2016. In 2019, he completed a master’s degree in new media from the Graduate School of Film and New Media, Tokyo University of the Arts, graduating top of his class. Takamizawa’s practice explore the socio-technological foundations of contemporary visual environment and communication technology through primitive mediums like fire and light.

https://snsk.org/

Tagami Aoi

Vocalist

Around 2014, she began her artistic practice by singing, using her own body as an instrument in a wide range of venues, from outdoor spaces to theaters and galleries. In 2019, after a residency in Indonesia, she started working with voice improvisation. In 2020, she released A Forever Growing Antenna from a One on the Ground, interweaving singing, storytelling, and voice as an instrument, which has since become a cornerstone of her performances. Tagami also performs improvised singing inspired by the actual scenery of each location, a practice she calls “seeing and calling,” from which she develops songs and live performances. Since 2022, she has focused mainly on performing her own compositions, and in 2024, released her first album, Everything That Sparkles.

https://aoitagami.com/https://www.instagram.com/aoi_tgm/

Miyoshi Karu

Artist

Born in Osaka in 2001 and based in Tokyo, Miyoshi Karu pursues an interdisciplinary practice across performance, painting, moving image, and installation. He performs using clothing with massively enlarged parts, exploring the impact that clothing has on mind and body. His major exhibitions include Gigantic soccer (2025, Green Hills Midoriyama Futsal Park, Tokyo) and The Fat of The Place (2024, Token Art Center, Tokyo). His major stage productions include Yamauchi Shota and Ueda Maki’s Sweaty-oily Sour-cheesy Juice (2023, Kyoto Experiment) and Yamauchi’s Dancing Girl (2021, Warehouse TERRADA, Tokyo).

https://www.instagram.com/karu_miyoshi/
Production
Yamauchi Shota
Organizer
Civic Creative Base Tokyo [CCBT] (Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture)