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Art Incubation

Yamauchi Shota: In Between . . . Us?

2026.03.13(Fri)–15(Sun)
main:Nakameguro Park(2-3-14 Nakameguro, Meguro-ku, Tokyo), Satellite:Aoyama Meguro(2-30-6 Kamimeguro, Meguro, Tokyo)
 
Date & Time
Friday, March 13–Sunday, March 15, 2026 / 3–8 p.m. (held concurrently at two locations)
Venue
main:Nakameguro Park(2-3-14 Nakameguro, Meguro-ku, Tokyo), Satellite:Aoyama Meguro(2-30-6 Kamimeguro, Meguro, Tokyo)
Admission
Free

performer:Ishizuka Yu, Ogura Emi, Kiyos Yonesque, Soh Souen, Tagami Aoi, Miyoshi Karu

In an ordinary park, something is happening.
The 2025 CCBT artist fellow Yamauchi Shota’s exhibition In Between . . . Us? takes place at Nakameguro Park. Light, voice, body, and environment all intersect, conjuring up new interrelationships in urban public space.

The 2025 CCBT artist fellow Yamauchi Shota’s Encounters with the Unknown project is an attempt to envisage new forms of communication by exploring relationships that emerge beyond verbal dialogue, starting from the question of what is the unknown.

Based around an installation evoking a rhizomatic structure spreading out in multiple directions without a center or levels, In Between . . . Us? features performers intertwining with the structure to limn relationships through their voices. The exhibition environment keeps on transforming, its state constantly updating over the course of time. The scenery of the park likewise transmutes, as if in response to something, and permeating the entire space with a unique aura.

Concurrently with the main event, the satellite venue of Aoyama Meguro focuses on the background and conceptual development of the Encounters with the Unknown, tracing how the ideas behind the project evolved. Shuttling between the two locations, visitors can witness the practice and process created by the work.

Don’t miss three days of flux and encounters with the unknown in urban public space. Friday, March 13–Sunday, March 15, 2026 / 3–8 p.m. (held concurrently at two locations)

Access

main:Nakameguro Park(2-3-14 Nakameguro, Meguro-ku, Tokyo

SatelliteAoyama Meguro(2-30-6 Kamimeguro, Meguro, Tokyo)

Project: Encounters with the Unknown


What is the unknown? Starting from that question, this project envisages new forms of human-to-humanoid communication that do not rely on conventional linguistic frameworks. The project will result in an outdoor performance and installation, limning the moment when an unknown entity and human intersect. The unknown entity appears in the form of light and sound, as if alive in the park, and the human body gradually resonates with the light until nonverbal communication eventually begins. As the audience witnesses this process, they encounter a moment when the boundaries of existence blur.


CCBT Art Incubation Program

One of CCBT’s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.

Photo: Saito Seichi

Yamauchi Shota

Artist

Born in 1992, Yamauchi Shota completed graduate studies in new media at Tokyo University of the Arts. He explores the relationship between the self and the world as well as the cracks that open up in reality and fantasy. In addition to moving image, sculpture, and performance, his transmedia practice has recently encompassed installations that use smell.

Ishizuka Yu

actor, model

Ishizuka Yu’s credits include the NHK educational TV show Shakin!, along with films and music videos. Her many other areas of activity include writing and pursuing her deep knowledge of music and DJing.

http://novemberagency.com/member/yu-ishizuka/
tomucude

Ogura Emi

performer, choreographer, director

Born in Gifu Prefecture, Ogura Emi first learned dance and vocals in her teens. Based in Kyoto since 2014, she has appeared in the stage productions by Yasumoto Masako, Kasai Akira, Onodera Shiji, Monochrome Circus, mama!milk, and more. She founded the creative group SMILE and has staged performances like A human dodging a fried oyster and SUPER COMPLEX. In her work, Ogura focuses on the state and appearance of people and objects, studying how they exist or can exist in a particular place and time, and performing with her body and voice.

https://www.instagram.com/kaigenemi?igsh=MWE0aTF2dWQ0bW95bw%3D%3D&utm_source=qr

Kiyos Yonesque

actor

Born in 1992, Kiyos Yonesque completed a master’s degree in architecture and urban culture at the Yokohama National University Graduate School of Urban Innovation. Kiyos is a member of the theater group humunus, whose practice involves posthuman performance, identifying drama within the assemblages where human and nonhuman activities intersect, and manifesting these observations into creative works through the search for new methodologies in vocal-body expression. Based in both Tokyo and Fukushima, humunus produces performances, moving image works, and book publications. It currently also participates in the search and recovery of human remains across various regions, including Fukushima, Okinawa, and Yamaguchi. By examining the relationship between national projects, civil engineering, land characteristics, and the remains themselves, it considers the intersection of performance and religious rituals for consoling spirits.

https://site-humunus.com/https://x.com/humunus1https://x.com/yoneshun1216

Soh Souen

artist

Soh Souen’s paintings, installations, and performances examine phenomena related to life in terms of their relationship with the body. Active in both Japan and abroad, his practice as a contemporary artist has encompassed a collaboration with Sara Milio for a performance project that began during the COVID-19 pandemic, and also performing with Agathe Naito’s installation at Ginza Maison Hermès Le Forum. His major exhibitions include Your Body is the Shoreline (√K Contemporary), Choreographies of the Everyday (Museum of Contemporary Art Tokyo), and FATHOM—Chiharu Shiota, Sumi Kanazawa, Soh Souen (Kyoto Seika University Gallery Terra-S).

https://soh-souen.com/https://www.instagram.com/sohsouen/

Tagami Aoi

Vocalist

Around 2014, she began her artistic practice by singing, using her own body as an instrument in a wide range of venues, from outdoor spaces to theaters and galleries. In 2019, after a residency in Indonesia, she started working with voice improvisation. In 2020, she released A Forever Growing Antenna from a One on the Ground, interweaving singing, storytelling, and voice as an instrument, which has since become a cornerstone of her performances. Tagami also performs improvised singing inspired by the actual scenery of each location, a practice she calls “seeing and calling,” from which she develops songs and live performances. Since 2022, she has focused mainly on performing her own compositions, and in 2024, released her first album, Everything That Sparkles.

https://aoitagami.com/https://www.instagram.com/aoi_tgm/

Miyoshi Karu

Artist

Born in Osaka in 2001 and based in Tokyo, Miyoshi Karu pursues an interdisciplinary practice across performance, painting, moving image, and installation. He performs using clothing with massively enlarged parts, exploring the impact that clothing has on mind and body. His major exhibitions include Gigantic soccer (2025, Green Hills Midoriyama Futsal Park, Tokyo) and The Fat of The Place (2024, Token Art Center, Tokyo). His major stage productions include Yamauchi Shota and Ueda Maki’s Sweaty-oily Sour-cheesy Juice (2023, Kyoto Experiment) and Yamauchi’s Dancing Girl (2021, Warehouse TERRADA, Tokyo).

https://www.instagram.com/karu_miyoshi/
Production
Yamauchi Shota
Organizer
Civic Creative Base Tokyo [CCBT] (Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture)