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Future Ideations Camp Vol.9: Fiction←Technology→Imagination

2026.10.10(Sat)–13(Tue)
Tokyo Metropolitan Theatre Gallery 2
Dates
October 10 (Sat) – 13 (Tue), 2026
Venue
Tokyo Metropolitan Theatre Gallery 2
Capacity
Around 20
Admission
Free
Application Period
August 1 (Sat) – 31 (Mon), 2026

Results Exhibition: October 15 (Thu) – 18 (Sun), 2026

Fiction co-created by technology and the imagination over a four-day reinterpretation of theater and society.

Civic Creative Base Tokyo (CCBT) ’s Future Ideations Camp is a series of intensive workshops bringing different kinds of people together to work collaboratively and creatively with art and digital technologies. Around twenty selected participants take part in several days of lectures to acquire new ways of thinking, workshops for building skill sets, and collaborative group activities. During the camps, the general public are also able to attend talks and presentations of the results.

Exploring the theme of theater and technology, the ninth Future Ideations Camp follows last year’s seventh edition in partnering with the Performing Arts Festival: Autumn Meteorite Tokyo held annually in Ikebukuro, Tokyo. The playwright and Autumn Meteorite Tokyo artistic director Okada Toshiki serves as the camp director, joined by a wide-ranging team of instructors and facilitators including practitioners from the technology sector, all working closely with the participants.
The camp treats theater as a simulation device that conjures up an alternative reality (fiction) through the audience’s imagination, enabling us temporarily to share and test situations and relationships that do not yet exist.
Once we regard digital technology and other modern technologies as tools for expanding the human imagination, what are the implications for our understanding of the nature of theater and society? And what new possibilities can we then conceive? The camp and its participants explore practice-based approaches to this inquiry. 

Reference: Future Ideations Camp Vol.7|Super Sober Shamanism : Exploring Synchronization, Co-presence, and Mimesis through Theatre and Technology
Reference: Future Ideations Camp Vol.7|Super Sober Shamanism : Exploring Synchronization, Co-presence, and Mimesis through Theatre and Technology

Concept

Theater is a very old medium, practiced for thousands of years. However, new technologies that did not exist millennia ago can naturally become the elements, perhaps even essential elements, that constitute theater.

How can we incorporate modern technology (digital technology, for instance) into theater to bring about its essential innovation? How can theater utilize technology in new, previously not possible ways without compromising, and rather even enhancing, its essential qualities?

This camp focuses on theater as a medium that excels at producing fiction through the heavy involvement of the audience’s imagination.
Can the theatrical imagination enhanced by current technology have greater potential to perceive, creatively critique, and transform contemporary society? Sure it can!

Simply utilizing new technology does not make a new form of theater. To reveal, through new technologies, the potential of theater that people thousands of years ago could never have imagined, yet doubtlessly sensed vaguely. Therein lies the ambition of this camp.
The theatrical imagination is intertwined with society. This is something powerfully realized through new technology. As such, it is indeed a new form of theater: with the dream of witnessing that nascent moment of theater, this camp is once again held as a collaboration between CCBT and Autumn Meteorite Tokyo.


Okada Toshiki

Program Director

Okada Toshiki (Artistic Director, Performing Arts Festival: Autumn Meteorite Tokyo)

Lecturer / Facilitators

Kakehi Yasuaki (Researcher, Artist / Professor, University of Tokyo)
Konno Keina (Experience Designer, Program Coordinator)
Nagamatsu Ayumu (Programmer, CG Artist)
Sato Tomoko (Artist)
Usami Nao (Artist)

Outline

Dates: October 10 (Sat) – 13 (Tue), 2026 *Scheduled time: Approximately 10:00 AM to 7:00 PM.
Results Exhibition: October 15 (Thu) – 18 (Sun), 2026
Venues: Tokyo Metropolitan Theatre Gallery 2 (5F)
1-8-1 Nishi-Ikebukuro, Toshima-ku, Tokyo 171-0021

Program & Curriculum (TBU)

Day1– October 10 (Sat)
Introduction
Participant self-introductions
Lecture & workshop (Lecturers: Okada Toshiki, Kakehi Yasuaki)
Co-creating in groups (Facilitators: Konno Keina, Nagamatsu Ayumu, Sato Tomoko, Usami Nao)

Day2– October 11 (Sun)
World cafe
Workshop
Co-creating in groups
Public Event: Keynote lecture *TBA

Day3– October 12 (Mon)
Co-creating in groups
Midterm presentation

Day4– October 13 (Tue)
Co-creating in groups
Final presentations

October 15 (Thu) – 18 (Sun)
Public event: Results Exhibition

Reference: Future Ideations Camp Vol.6: Reclaiming the City beneath Unseen Rules
Reference:Future Ideations Camp Vol.5:Can AI Become Life?
Reference: Future Ideations Camp Vol.4|Understanding and Creatively Expressing Ecosystems as Data

Application Guidlines

Application Period: August 1 (Sat) – 31 (Mon), 2026
Participant Numbers: Around 20
All ages

Participation Requirements
Able to participate in the entire curriculum from October 10 to October 13, 2026
– Have a proven track record of research or creative activities 
– Be able to apply the content of the workshop to their own future activities

Example Participants
– People who want to create collaboratively
– Artists and creatives from theater, music, design, technology, and other fields
– People involved in creative practices who want to use technology in their work
– People who want to try creating a work in the new field of the performing arts
– People who want to use theater to think about the future of human relationships and society.
– Researchers and students with interests in new forms of expression and experimental practices that transcend conventional disciplinary boundaries
– People no longer involved in creative practices due to parenting, illness, caregiving, or other reasons, and who want to restart their activities
. . . And more

Selection Criteria
In case of too many applications, selection will be made based on the application.

Result Notification
The result will be notified through email on September 6 (Sun), 2026. (subject to change)

Application Process
Please apply via the application form.
Alternatively, please send an email (ccbt@rekibun.or.jp) including the following items with “Future Ideations Camp vol.9 Application” in the subject line.


– Full Name
– Age
– Gender
– City ​​of Residence
– Email Address
– Phone Number
– Occupation / Affiliation
– Areas of expertise
(Art, Theater, Design, Engineering, Fashion, Music, Education,  Natural science, Religious Studies, Humanities, Environmental Studies, Philosophy, Others)
– Please tell us what interests you about the Camp and about the new things you want to try. (max. 300 characters)
– Please tell us where you heard about the Camp.
– Please indicate if you need any accessibility support. (Examples: Sign language interpretation, Text-based support)
– State the link, if you have a portfolio, video materials, websites, or GitHub that introduces your initiatives.

Staff

Program Direction
Ito Takayuki (CCBT)
Program Management
Doi Miyuu (CCBT), Inada Shunpei (CCBT), Ito Haruka (CCBT), Otsuka Yuko (Autumn Meteorite)
Technical Leader
Kimura Yusuke (arsaffix)
Design
Sasaki Shun (AYOND)
Operation
Hayashi Keiichi (onocoro), Kanmuri Nanana (onocoro) , Okumura Keijirou (onocoro)

Performing Arts Festival: Autumn Meteorite 2026 Tokyo

  • To foster the creation of new artistic work
  • To promote international exchange
  • To develop the next generation of performing arts professionals

Organized by Tokyo Festival Executive Committee [Tokyo Metropolitan Government, Tokyo Metropolitan Theatre (Tokyo Metropolitan Foundation for History and Culture)
Co-organized by Toshima City
Supported by Agency for Cultural Affairs, Government of Japan|Japan Arts Council
Gold Sponsor: Asahi Group Japan, Ltd.
Silver Sponsor: TOBU RAILWAY CO.,LTD. / Mitsubishi Estate Co., Ltd.
Bronze Sponsor: eplus inc. / Lawson Entertainment, Inc.
Media Partner: Tokyo Art Beat

photo: Usuyama Kikuko

Okada Toshiki

Artistic Director, Performing Arts Festival: Autumn Meteorite Tokyo

Okada Toshiki is a playwright, novelist, and the director of the theater company chelfitsch. In 2005, he received the 49th Kishida Kunio Drama Award for Five Days in March. In 2007, he participated in the Kunstenfestivaldesarts with his work Five Days in March. Since this debut of his work overseas, he has continued to present works not only domestically but also internationally, putting on performances in over 90 cities across Asia, Europe, North America, and South America. Since 2016, he has also consistently created and directed works in a repertory program at a renowned public theater in Germany. In 2020, his work The Vacuum Cleaner (Münchner Kammerspiele) and in 2022, Doughnuts (Thalia Theater, Hamburg) were selected as part of the Berliner Theatertreffen’s “10 Remarkable Productions.” As a novelist, he published The End of the Moment We Had (2007, Shinchōsha), Broccoli Revolution (2022, Shinchōsha). He was appointed as the Artistic Director of the Performing Arts Festival: Autumn Meteorite Tokyo in 2025 and the Artistic Director of Performing Arts at the Tokyo Metropolitan Theatre in 2026.

白い背景の前で微笑んで立っている男性。男性はストライプの入った白いスタンドカラーのシャツを着ており、清潔感のある落ち着いた表情をしている。

Kakehi Yasuaki

Researcher, Artist / Professor at The University of Tokyo

Born in Kyoto in 1979, Kakehi Yasuaki is an interactive media researcher and artist. After periods at Keio University and MIT, he joined the University of Tokyo’s Interfaculty Initiative in Information Studies in 2018, where he researches, creates, and teaches. He holds a PhD in interdisciplinary information studies. Kakehi develops interactive media that combine physical materials and phenomena with digital technology, expanding experiences through objects, the body, and space. His work spans the fields of engineering, art, and design, with exhibitions at Setouchi Triennale 2025, Ars Electronica Festival, YCAM, and ICC, among others. He has received numerous awards across various fields, including an Honorable Mention at the STARTS PRIZE 2022, the Excellence Award in the Art Division of the 23rd Japan Media Arts Festival, the Best Paper Award at ACM CHI 2017, and the Minister of Education, Culture, Sports, Science, and Technology’s Young Scientist Award in 2014.

若い女性がカメラに向かって微笑んでいる。彼女は黒いタートルネックを着ており、髪はすっきりとしたスタイルにまとめられている。背景はぼかされていて、温かみのある色調になっている。

Konno Keina

Experience Designer, Program Coordinator

Konno Keina studied human-computer interaction at the Keio University Faculty of Environment and Information Studies. Alongside her studies, she formed the group Otome Dengeibu with her peers and held numerous workshops and events creating the various kinds of things they wanted to make. From April 2013 to September 2024, she worked at Yamaguchi Center for Arts and Media as a video and device engineer as well as overseeing program and experience design. She is involved in producing exhibits and planning public programs. Konno is interested in communication and how media serves as an interface for that.

photo by Yamaguchi Ioto

Nagamatsu Ayumu

Programmer, CG Artist

Nagamatsu Ayumu produces moving image, develops directorial approaches, and provides performance support, all while referencing the styles and spontaneous concepts of generative art and visual music. He focuses on both the aesthetic and technical aspects of procedural modeling, computer graphics algorithms, and data expression, and is also an artist and educator. In recent years, he has created several permanent artworks in semi-public spaces.

https://ayumu-nagamatsu.com/
photo by Ryusuke Ohno

Sato Tomoko

Artist

Born in Nagano Prefecture in 1990, Sato Tomoko completed graduate studies in film and new media at Tokyo University of the Arts. In her practice, she constructs narratives out of extensive research, and creates works centered on lectures and storytelling. Her recent work and exhibitions include Index for Obake Tokyo (2021–, Theater Commons), the 14th Yebisu International Festival for Art & Alternative Visions (2022, Tokyo Photographic Art Museum), Plastic Utopia: Our New Ecosystem (2025, Hirosaki Museum of Contemporary Art), and The NAM Collection in Dialogue: Reflections and Extensions (2026, Nagano Prefectural Art Museum). Sato conducted research in Taiwan and South Korea on a 2023 overseas study grant from the Pola Art Foundation.

https://tomokosato.info/

Usami Nao

Artist

Usami Nao’s practice focuses on feminism and gender studies through moving image, video games, and performance using 3DCG technology. In her work, she seeks to break free from social categorization. Her video game project I stitch my skin to the ground received an Honorary Mention in the New Animation Art category at Prix Ars Electronica 2024.

Production
Civic Creative Base Tokyo [CCBT] , Performing Arts Festival: Autumn Meteorite Tokyo
Organizer
Tokyo Metropolitan Government, Civic Creative Base Tokyo [CCBT] (Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture), Tokyo Festival Executive Committee [Tokyo Metropolitan Government, Tokyo Metropolitan Theatre (Tokyo Metropolitan Foundation for History and Culture)]