Taki Kentaro

Born in 1973 in Osaka, Taki Kentaro’s practice encompasses both his own installations and performances as well as media art restoration and archiving. His credits include a documentary featuring interviews with video art pioneers, Kikai de Miru Koto = Eye Machine / To See by Chance (Gendaikikakushitsu, 2013), commentary for the Japanese DVD releases of Harun Farocki’s Images of the World and Inscription of War and War at a Distance (Gendaikikakushitsu, 2018), “Description as Monument: Krzysztof Wodiczko in the 2000s” in The Semiology of Food (The Japanese Association for Semiotic Studies, Shinyosha, 2020), and Takahiko Iimura Video Field (MORI YU GALLERY, 2023). He is also a prolific exhibition curator.Last Updated: 2024.08