{"id":49295,"date":"2026-06-25T10:45:00","date_gmt":"2026-06-25T01:45:00","guid":{"rendered":"https:\/\/ccbt.rekibun.or.jp\/?p=49295"},"modified":"2026-06-25T11:37:27","modified_gmt":"2026-06-25T02:37:27","slug":"05-makihara-wada","status":"publish","type":"post","link":"https:\/\/ccbt.rekibun.or.jp\/en\/art-incubation\/49295","title":{"rendered":"05 (Makihara Eri + Wada Natsumi)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column fellow-profile is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full fellow__profile__image\"><img loading=\"lazy\" decoding=\"async\" width=\"885\" height=\"708\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo.png\" alt=\"\" class=\"wp-image-49293\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo.png 885w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo-300x240.png 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo-768x614.png 768w\" sizes=\"auto, (max-width: 885px) 100vw, 885px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-2 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading fellow-profile__name\">05 (Makihara Eri + Wada Natsumi)<\/h3>\n<\/div>\n<\/div>\n\n\n\n<p class=\"fellow-profile__text\">05 is a collaboration between deaf filmmaker and director Makihara Eri and researcher and creative Wada Natsumi, who is the child of deaf parents. Based at the visual language and culture hub 5005, 05 explores the possibilities of visual body language.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column fellow-project is-layout-flow wp-container-core-column-is-layout-4 wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-2-1024x768.png\" alt=\"\" class=\"wp-image-49291\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-2-1024x768.png 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-2-300x225.png 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-2-768x576.png 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-2.png 1448w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-1 wp-block-group-is-layout-constrained\" style=\"border-top-color:#7f7f7f;border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Year Selected<\/h3>\n\n\n\n<p>2026<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group fellow__project-name is-layout-constrained wp-container-core-group-is-layout-2 wp-block-group-is-layout-constrained\" style=\"border-top-color:#7f7f7f;border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Project<\/h3>\n\n\n\n<p>KINEOTYPE<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group fellow__project-summary is-layout-constrained wp-container-core-group-is-layout-3 wp-block-group-is-layout-constrained\" style=\"border-top-color:#7f7f7f;border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Summary<\/h3>\n\n\n\n<p>Observatory of Plurality collects perspectives on the urban from people with different kinds of bodies, perceptions, and experiences, and implements a temporary observation deck in the city allowing visitors to experience these multifaceted viewpoints. It comprises three phases: \u201cDiscovery,\u201d featuring public participatory fieldwork; \u201cConversion,\u201d in which the collected perspectives are changed into experiences; and \u201cImplementation,\u201d where these are installed in urban space. The project aims to unlock the richness of the city that emerges from different physicalities, and to update the rigid ways we look at the city.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-4 wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Profile<\/h3>\n\n\n<div class=\"lazyblock-ccbt-player-profile-Z2LoBK wp-block-lazyblock-ccbt-player-profile\"><div class=\"player-profile\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/players\/05\" class=\"player-image\"><figure class=\"player-image-figure\"><img loading=\"lazy\" decoding=\"async\" width=\"885\" height=\"708\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo.png\" class=\"player-image wp-post-image\" alt=\"\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo.png 885w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo-300x240.png 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/05_photo-768x614.png 768w\" sizes=\"auto, (max-width: 885px) 100vw, 885px\" \/><\/figure><\/a><div class=\"player-text\"><h3 class=\"player-name\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/players\/05\">05 (Makihara Eri + Wada Natsumi)<\/a><\/h3><p class=\"player-title\"><\/p><p class=\"player-profile-text\">05 is a collaboration between deaf filmmaker and theater director Makihara Eri and researcher and creative Wada Natsumi, who is the child of deaf parents. The name comes from 5005, a visual language and culture hub that the pair jointly run. They explore the possibilities of visual body language, Makihara through moving image and bodily expression, and Wada through research and translation. They co-founded 5005, a working space in the Nishi-Nippori area of Tokyo for people who perceive the world through their eyes, and explore the potential of language and communication across both art and research.<\/p><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;border-bottom-width:1px;padding-top:3rem;padding-bottom:3rem\">\n<h3 class=\"wp-block-heading\">Art Incubation Program<\/h3>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--40)\">One of CCBT\u2019s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.<br>\u25b6\ufe0e<strong><a href=\"details: CCBT%C2%A0Art Incubation Program\"><\/a><strong><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/core-programs\/art-incubation\">Details: CCBT&nbsp;<strong>Art Incubation Program<\/strong><\/a><\/strong><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Fellows from Same Year<\/h2>\n\n\n<div class=\"lazyblock-ccbt-fellow-list-ZSsGoT wp-block-lazyblock-ccbt-fellow-list\"><div class=\"fellow-list fellow-list--col-2\">  <a class=\"fellow-box\" href=\"https:\/\/ccbt.rekibun.or.jp\/en\/art-incubation\/49320\">\n    <div class=\"fellow-box__avatar\">\n      <img decoding=\"async\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-300x235.jpeg\" alt=\"Kato Akihiro\">\n    <\/div>\n    <div class=\"fellow-box__info\">\n      <h3 class=\"fellow-box__info__name\">Kato Akihiro<\/h3>\n      <p class=\"fellow-box__info__project\">StrayBot<\/p>\n    <\/div>\n  <\/a>  <a class=\"fellow-box\" href=\"https:\/\/ccbt.rekibun.or.jp\/en\/art-incubation\/49302\">\n    <div class=\"fellow-box__avatar\">\n      <img decoding=\"async\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-300x225.jpg\" alt=\"Komiya Lisa Marina\">\n    <\/div>\n    <div class=\"fellow-box__info\">\n      <h3 class=\"fellow-box__info__name\">Komiya Lisa Marina<\/h3>\n      <p class=\"fellow-box__info__project\">Skinsphere<\/p>\n    <\/div>\n  <\/a>  <a class=\"fellow-box\" href=\"https:\/\/ccbt.rekibun.or.jp\/en\/art-incubation\/49283\">\n    <div class=\"fellow-box__avatar\">\n      <img decoding=\"async\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-300x169.png\" alt=\"Takahashi Kosuke\">\n    <\/div>\n    <div class=\"fellow-box__info\">\n      <h3 class=\"fellow-box__info__name\">Takahashi Kosuke<\/h3>\n      <p class=\"fellow-box__info__project\">Observatory of Plurality<\/p>\n    <\/div>\n  <\/a>  <a class=\"fellow-box\" href=\"https:\/\/ccbt.rekibun.or.jp\/en\/art-incubation\/49289\">\n    <div class=\"fellow-box__avatar\">\n      <img decoding=\"async\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-1-300x169.png\" alt=\"Yang Ikumi\">\n    <\/div>\n    <div class=\"fellow-box__info\">\n      <h3 class=\"fellow-box__info__name\">Yang Ikumi<\/h3>\n      <p class=\"fellow-box__info__project\">Waiting for Spring<\/p>\n    <\/div>\n  <\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>05 (Makihara Eri + Wada Natsumi) 05 is a collaboration between deaf filmmaker and director Makihara Eri and researcher and creative Wada Natsumi, who is the child of deaf parents. Based at the visual language and culture hub 5005, 05 explores the possibilities of visual body language. Year Selected 2026 Project KINEOTYPE Summary Observatory of Plurality collects perspectives on the urban from people with different kinds of bodies, perceptions, and experiences, and implements a temporary observation deck in the city allowing visitors to experience these multifaceted viewpoints. It comprises three phases: \u201cDiscovery,\u201d featuring public participatory fieldwork; \u201cConversion,\u201d in which the collected perspectives are changed into experiences; and \u201cImplementation,\u201d where these are installed in urban space. The project aims to unlock the richness of the city that emerges from different physicalities, and to update the rigid ways we look at the city. Profile Fellows from Same Year<\/p>\n","protected":false},"author":4,"featured_media":49291,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/ccbt.rekibun.or.jp\/?p=49234","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,31],"tags":[70],"class_list":["post-49295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellows","category-art-incubation","tag-70","en-US"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2026\/06\/\u4f01\u753b\u30a4\u30e1\u30fc\u30b8\u753b\u50cf-2.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts\/49295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/comments?post=49295"}],"version-history":[{"count":2,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts\/49295\/revisions"}],"predecessor-version":[{"id":49349,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts\/49295\/revisions\/49349"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media\/49291"}],"wp:attachment":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media?parent=49295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/categories?post=49295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/tags?post=49295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}