{"id":1168,"date":"2022-10-21T17:28:40","date_gmt":"2022-10-21T08:28:40","guid":{"rendered":"https:\/\/ccbt2.h4us.dev\/?p=1168"},"modified":"2024-06-08T11:15:08","modified_gmt":"2024-06-08T02:15:08","slug":"314","status":"publish","type":"post","link":"https:\/\/ccbt.rekibun.or.jp\/en\/fellows\/1168","title":{"rendered":"Tokolo Asao + Hiramoto Tomoki + Iguchi Kota"},"content":{"rendered":"\n<p class=\"has-r-font-size\"><small>FORMING SPHERES<\/small><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column fellow-profile is-layout-flow wp-container-core-column-is-layout-3 wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"100\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/06\/Tokolo-AsaoHiramoto-TomokiIguchi-Kota-01.jpg\" alt=\"\" class=\"wp-image-7238\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-container-core-column-is-layout-2 wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading fellow-profile__name\">Tokolo Asao +  Hiramoto Tomoki + Iguchi Kota<\/h3>\n\n\n\n<p class=\"has-s-font-size\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"fellow-profile__text has-s-font-size\" style=\"line-height:1.5\">At the opening ceremony for the Tokyo 2020 Olympic Games, drones formed a globe in the sky in the kumi-ichimatsu-mon pattern\u2212one of the traditional Japanese checkered patterns. That globe, which was created by \ufb01tting a rectangle into each face of a disdyakis triacontahedron generated from a rhombic triacontahedron, will be recon\ufb01gured for this project as a new installation. The project is a collaboration by Tokolo Asao, the designer of the of\ufb01cial Tokyo 2020 Olympics emblem, and who was involved in the opening ceremony\u2019s drone display, Hiramoto Tomoki, who used digital fabrication technology to create the podium out of scrap plastic, and Iguchi Kota, who designed the \u201ckinetic sport pictograms\u201d also featured at the Games. It will take the form of a richly varied video installation, to be presented at the 15th Yebisu International Festival for Art &amp; Alternative Visions in February 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column fellow-project is-layout-flow wp-container-core-column-is-layout-14 wp-block-column-is-layout-flow\" style=\"flex-basis:66.67%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u91ce\u8001\u671d\u96c4+\u5e73\u672c\u77e5\u6a39+\u4e95\u53e3\u7693\u592a\u300cFORMING SPHERES\u300d\uff5cCCBT\u30a2\u30fc\u30c8\u30fb\u30a4\u30f3\u30ad\u30e5\u30d9\u30fc\u30b7\u30e7\u30f3\u30fb\u30d7\u30ed\u30b0\u30e9\u30e0\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UBJSEGO0Tks?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-1 wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Year Selected<\/h3>\n\n\n\n<p>2022<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group fellow__project-name is-layout-constrained wp-container-core-group-is-layout-2 wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Project<\/h3>\n\n\n\n<p>FORMING SPHERES<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group fellow__project-summary is-layout-constrained wp-container-core-group-is-layout-3 wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Summary<\/h3>\n\n\n\n<p>The latest work by the team who contributed to the much-discussed drone display at the opening ceremony for the Tokyo 2020 Olympic Games, <em>FORMING SPHERES<\/em> used 3D printers to reconfigure Tokolo Asao\u2019s <em>kumi-ichimatsu-mon<\/em> traditional checkered Japanese pattern from the Tokyo 2020 emblems as a spherical sculpture. When light is projected onto the sculpture, it transforms into an installation created through the interplay of light and shadow. <em>FORMING SPHERES<\/em> was unveiled as an outdoor exhibit at Yebisu International Festival for Art &amp; Alternative Visions 2023, and CCBT held an exhibition introducing how it was made and the prototype versions.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-6 wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Presentation<\/h3>\n\n\n<a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/events\/formingspheres\"    class=\"wp-block-tiptip-hyperlink-group-block\" >\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-5 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:2rem;padding-right:2rem;padding-bottom:2rem;padding-left:2rem\">\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"571\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/ccbt_FS_eventbanner_test_0131-1024x571.jpg\" alt=\"\" class=\"wp-image-3731\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/ccbt_FS_eventbanner_test_0131-1024x571.jpg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/ccbt_FS_eventbanner_test_0131-300x167.jpg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/ccbt_FS_eventbanner_test_0131-768x428.jpg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/ccbt_FS_eventbanner_test_0131-1536x857.jpg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/ccbt_FS_eventbanner_test_0131-2048x1142.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-container-core-column-is-layout-7 wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-l-font-size\">Tokolo Asao+Hiramoto Tomoki+Iguchi Kota \u201cFORMING SPHERES\u201d prototype unveiled<\/p>\n\n\n\n<p class=\"has-s-font-size\">Date\uff1a2023.02.07(Tue)\u201316(Thu)<br>Venue\uff1aCivic Creative Base Tokyo [CCBT]<br>Organizers\uff1aTokyo Metropolitan Government, Tokyo Metropolitan Foundation for History and Culture Planning cooperation: Tokyo Metropolitan Museum of Photography.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/a><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-10 wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;padding-top:2rem\">\n<h3 class=\"wp-block-heading\">Profile<\/h3>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-7 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:2rem;padding-right:2rem;padding-bottom:2rem;padding-left:2rem\">\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-large\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/players\/tokolo-asao\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-3755\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2-1024x1024.jpg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2-300x300.jpg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2-150x150.jpg 150w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2-768x768.jpg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2-1536x1536.jpg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/takoloasao_bk-2.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-container-core-column-is-layout-9 wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-l-font-size\"><strong>Tokolo Asao<\/strong><\/p>\n\n\n\n<p class=\"has-xs-font-size\" style=\"line-height:1.3\">Artist<\/p>\n\n\n\n<p class=\"has-s-font-size\">Tokolo Asao was born in Tokyo in 1969. He studied architecture since his childhood under EGASHIRA Shin, and began to create patterns on September 11, 2001. Under the theme of &#8220;connecting,&#8221; he continues to work across the boundaries of art, architecture, design, and other fields. He also designs and produces three-dimensional objects based on the same principle. Major works include emblems for the Tokyo 2020 Olympic and Paralympic Games, a glass pattern for the Dainagoya Building\u2019s lower level, the Tokolo Pattern Magnet, etc. In addition, he has been a part-time lecturer at the University of Tokyo&#8217;s Faculty of Engineering since 2016, and at the University of Tokyo&#8217;s College of Liberal Arts since 2018.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-8 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:2rem;padding-right:2rem;padding-bottom:2rem;padding-left:2rem\">\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-full\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/players\/hiramoto-tomoki\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/off_hiramoto-1.jpeg\" alt=\"\" class=\"wp-image-3756\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/off_hiramoto-1.jpeg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/off_hiramoto-1-150x150.jpeg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-container-core-column-is-layout-11 wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-l-font-size\"><strong>Hiramoto Tomoki<\/strong><\/p>\n\n\n\n<p class=\"has-xs-font-size\" style=\"line-height:1.3\">Spatial Designer \/ Architect<\/p>\n\n\n\n<p class=\"has-s-font-size\">Hiramoto Tomoki was born in 1987, and graduated from Keio University&#8217;s Graduate School of Media and Governance (SFC) with a Master&#8217;s degree in Ex-Design. He was involved in the launch of FabLab Japan as a student, and established wip in 2015. He has been active in design on various scales, from product to spatial, using digital technology. For the Tokyo 2020 Olympic and Paralympic Games, he worked on the podium project, and participated in the production of a 3D drone animation for the opening ceremony. He is the author of the book &#8220;&#8221;3D Printing Handbook\/O&#8217;Reilly Japan,&#8221;&#8221; and a regular contributor to design magazines.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-9 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:2rem;padding-right:2rem;padding-bottom:2rem;padding-left:2rem\">\n<div class=\"wp-block-columns are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-6 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-large\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/players\/iguchi-kota\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-3757\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1-1024x1024.jpg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1-300x300.jpg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1-150x150.jpg 150w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1-768x768.jpg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1-1536x1536.jpg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/01\/KotaIguchi2022.3-1.jpg 1952w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-container-core-column-is-layout-13 wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-l-font-size\"><strong>Iguchi Kota<\/strong><\/p>\n\n\n\n<p class=\"has-xs-font-size\" style=\"line-height:1.3\">Visual Designer \/ Creative Director<\/p>\n\n\n\n<p class=\"has-s-font-size\">Iguchi Kota was born in 1984, and is based in New York and Tokyo. He founded TYMOTE Inc. in 2008 while studying at Musashino Art University&#8217;s Department of Basic Design, and in 2013, the Creative Association CEKAI. He was in charge of the production of the &#8220;Tokyo 2020 Moving Sports Pictogram,&#8221; the first of its kind in the history of the Olympic and Paralympic Games. He also participated in the opening ceremony as video director, and produced a 3D drone animation for the Games. Major awards include the 2014 Tokyo TDC Award, D&amp;AD 2015 Yellow Pencil, NY ADC Award 2015 Gold, The One Show 2022 Silver, AICP Show 2022 Design Award, AICP Post Awards 2022 Motion Design and Graphics, and more. Iguchi is a visiting professor at the Kyoto University of Arts, and a part-time lecturer at Musashino Art University.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\" style=\"border-top-width:1px;border-bottom-width:1px;padding-top:3rem;padding-bottom:3rem\">\n<h3 class=\"wp-block-heading\"><strong>CCBT Art Incubation Program<\/strong><\/h3>\n\n\n\n<p style=\"margin-top:var(--wp--preset--spacing--40);margin-right:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40);margin-left:var(--wp--preset--spacing--40)\">One of CCBT\u2019s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.<br><strong><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/core-programs\/art-incubation\" title=\"\">Details: CCBT <strong>Art Incubation Program<\/strong><\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Fellows from Same Year<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-16 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/fellows\/1161\"    class=\"wp-block-tiptip-hyperlink-group-block\" >\n<div class=\"wp-block-group fellowlink is-layout-constrained wp-container-core-group-is-layout-15 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:1rem;padding-right:1rem;padding-bottom:1rem;padding-left:1rem\">\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-9 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/01_augmented-situation-d-1-1-1024x683.jpg\" alt=\"\" class=\"wp-image-6811\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/01_augmented-situation-d-1-1-1024x683.jpg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/01_augmented-situation-d-1-1-300x200.jpg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/01_augmented-situation-d-1-1-768x512.jpg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/01_augmented-situation-d-1-1-1536x1024.jpg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/01_augmented-situation-d-1-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-14 wp-block-group-is-layout-flex\">\n<h4 class=\"wp-block-heading\">Asami Kazuhiko + God Scorpion + <strong>YOSHIDAYAMAR<\/strong><\/h4>\n\n\n\n<p class=\"has-s-font-size\"><strong>AUGMENTED SITUATION D<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"9\" height=\"14\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2022\/10\/arrow_right.svg\" alt=\"\" class=\"wp-image-398\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/a>\n\n<a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/fellows\/1164\"    class=\"wp-block-tiptip-hyperlink-group-block\" >\n<div class=\"wp-block-group fellowlink is-layout-constrained wp-container-core-group-is-layout-19 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:1rem;padding-right:1rem;padding-bottom:1rem;padding-left:1rem\">\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-11 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/02\/deviation_game_mainpic-1024x684.jpeg\" alt=\"DeviationGame_mainvisual\" class=\"wp-image-4586\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/02\/deviation_game_mainpic-1024x684.jpeg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/02\/deviation_game_mainpic-300x200.jpeg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/02\/deviation_game_mainpic-768x513.jpeg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/02\/deviation_game_mainpic-1536x1026.jpeg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/02\/deviation_game_mainpic-2048x1368.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-18 wp-block-group-is-layout-flex\">\n<h4 class=\"wp-block-heading\">Tomo Kihara + Playfool<\/h4>\n\n\n\n<p class=\"has-s-font-size\"><strong>Deviation Game ver 1.0<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"9\" height=\"14\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2022\/10\/arrow_right.svg\" alt=\"\" class=\"wp-image-398\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><a href=\"https:\/\/ccbt.rekibun.or.jp\/en\/fellows\/1166\"    class=\"wp-block-tiptip-hyperlink-group-block\" >\n<div class=\"wp-block-group fellowlink is-layout-constrained wp-container-core-group-is-layout-23 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:1rem;padding-right:1rem;padding-bottom:1rem;padding-left:1rem\">\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-13 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/12_future-Tokyo-sports-day-1024x683.jpg\" alt=\"\" class=\"wp-image-6744\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/12_future-Tokyo-sports-day-1024x683.jpg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/12_future-Tokyo-sports-day-300x200.jpg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/12_future-Tokyo-sports-day-768x512.jpg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/12_future-Tokyo-sports-day-1536x1025.jpg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/12_future-Tokyo-sports-day.jpg 1700w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-22 wp-block-group-is-layout-flex\">\n<h4 class=\"wp-block-heading\">Inukai Hiroshi and Developlayers<\/h4>\n\n\n\n<p class=\"has-s-font-size\"><strong>Future Tokyo Sports Day<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2022\/10\/arrow_right.svg\" alt=\"\" class=\"wp-image-398\" width=\"9\" height=\"14\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/a>\n\n<a href=\"https:\/\/ccbt.rekibun.or.jp\/fellows\/1070\"    class=\"wp-block-tiptip-hyperlink-group-block\" >\n<div class=\"wp-block-group fellowlink is-layout-constrained wp-container-core-group-is-layout-27 wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:1rem;padding-right:1rem;padding-bottom:1rem;padding-left:1rem\">\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-15 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/05_rode-work-ver.-under-city-1-1-1024x683.jpg\" alt=\"\" class=\"wp-image-6813\" srcset=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/05_rode-work-ver.-under-city-1-1-1024x683.jpg 1024w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/05_rode-work-ver.-under-city-1-1-300x200.jpg 300w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/05_rode-work-ver.-under-city-1-1-768x512.jpg 768w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/05_rode-work-ver.-under-city-1-1-1536x1024.jpg 1536w, https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2023\/04\/05_rode-work-ver.-under-city-1-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-26 wp-block-group-is-layout-flex\">\n<h4 class=\"wp-block-heading\">SIDE CORE<\/h4>\n\n\n\n<p class=\"has-s-font-size\"><strong>rode work ver. under city<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"9\" height=\"14\" src=\"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2022\/10\/arrow_right.svg\" alt=\"\" class=\"wp-image-398\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>FORMING SPHERES Tokolo Asao + Hiramoto Tomoki + Iguchi Kota At the opening ceremony for the Tokyo 2020 Olympic Games, drones formed a globe in the sky in the kumi-ichimatsu-mon pattern\u2212one of the traditional Japanese checkered patterns. That globe, which was created by \ufb01tting a rectangle into each face of a disdyakis triacontahedron generated from a rhombic triacontahedron, will be recon\ufb01gured for this project as a new installation. The project is a collaboration by Tokolo Asao, the designer of the of\ufb01cial Tokyo 2020 Olympics emblem, and who was involved in the opening ceremony\u2019s drone display, Hiramoto Tomoki, who used digital fabrication technology to create the podium out of scrap plastic, and Iguchi Kota, who designed the \u201ckinetic sport pictograms\u201d also featured at the Games. It will take the form of a richly varied video installation, to be presented at the 15th Yebisu International Festival for Art &amp; Alternative Visions in February 2023. Year Selected 2022 Project FORMING SPHERES Summary The latest work by the team who contributed to the much-discussed drone display at the opening ceremony for the Tokyo 2020 Olympic Games, FORMING SPHERES used 3D printers to reconfigure Tokolo Asao\u2019s kumi-ichimatsu-mon traditional checkered Japanese pattern from the Tokyo 2020 emblems as a spherical sculpture. When light is projected onto the sculpture, it transforms into an installation created through the interplay of light and shadow. FORMING SPHERES was unveiled as an outdoor exhibit at Yebisu International Festival for Art &amp; Alternative Visions 2023, and CCBT held an exhibition introducing how it was made and the prototype versions. Presentation Profile Tokolo Asao Artist Tokolo Asao was born in Tokyo in 1969. He studied architecture since his childhood under EGASHIRA Shin, and began to create patterns on September 11, 2001. Under the theme of &#8220;connecting,&#8221; he continues to work across the boundaries of art, architecture, design, and other fields. He also designs and produces three-dimensional objects based on the same principle. Major works include emblems for the Tokyo 2020 Olympic and Paralympic Games, a glass pattern for the Dainagoya Building\u2019s lower level, the Tokolo Pattern Magnet, etc. In addition, he has been a part-time lecturer at the University of Tokyo&#8217;s Faculty of Engineering since 2016, and at the University of Tokyo&#8217;s College of Liberal Arts since 2018. Hiramoto Tomoki Spatial Designer \/ Architect Hiramoto Tomoki was born in 1987, and graduated from Keio University&#8217;s Graduate School of Media and Governance (SFC) with a Master&#8217;s degree in Ex-Design. He was involved in the launch of FabLab Japan as a student, and established wip in 2015. He has been active in design on various scales, from product to spatial, using digital technology. For the Tokyo 2020 Olympic and Paralympic Games, he worked on the podium project, and participated in the production of a 3D drone animation for the opening ceremony. He is the author of the book &#8220;&#8221;3D Printing Handbook\/O&#8217;Reilly Japan,&#8221;&#8221; and a regular contributor to design magazines. Iguchi Kota Visual Designer \/ Creative Director Iguchi Kota was born in 1984, and is based in New York and Tokyo. He founded TYMOTE Inc. in 2008 while studying at Musashino Art University&#8217;s Department of Basic Design, and in 2013, the Creative Association CEKAI. He was in charge of the production of the &#8220;Tokyo 2020 Moving Sports Pictogram,&#8221; the first of its kind in the history of the Olympic and Paralympic Games. He also participated in the opening ceremony as video director, and produced a 3D drone animation for the Games. Major awards include the 2014 Tokyo TDC Award, D&amp;AD 2015 Yellow Pencil, NY ADC Award 2015 Gold, The One Show 2022 Silver, AICP Show 2022 Design Award, AICP Post Awards 2022 Motion Design and Graphics, and more. Iguchi is a visiting professor at the Kyoto University of Arts, and a part-time lecturer at Musashino Art University. CCBT Art Incubation Program One of CCBT\u2019s core programs, the Art Incubation Program provides opportunities for creative talent to undertake new projects and makes those processes accessible to the public, facilitating forms of artistic expression, exploration, and action that change our city for the better. Selected through an open call, five artist fellows will act as CCBT partners, developing their projects, making the creative process public, exhibiting the results, and holding workshops and talks.Details: CCBT Art Incubation Program Fellows from Same Year<\/p>\n","protected":false},"author":2,"featured_media":333,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/ccbt.rekibun.or.jp\/?p=314","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51],"tags":[50],"class_list":["post-1168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fellows","tag-50","en-US"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/ccbt.rekibun.or.jp\/wp-content\/uploads\/2022\/10\/fellow__forming-spheres.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":32,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"predecessor-version":[{"id":18865,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/posts\/1168\/revisions\/18865"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media\/333"}],"wp:attachment":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}