{"id":40896,"date":"2025-09-29T10:56:00","date_gmt":"2025-09-29T01:56:00","guid":{"rendered":"https:\/\/ccbt.rekibun.or.jp\/?post_type=event&p=40896"},"modified":"2025-10-14T18:17:32","modified_gmt":"2025-10-14T09:17:32","slug":"future-ideations-camp07","status":"publish","type":"event","link":"https:\/\/ccbt.rekibun.or.jp\/en\/events\/future-ideations-camp07","title":{"rendered":"Future Ideations Camp Vol.7\uff5cSuper Sober Shamanism : Exploring Synchronization, Co-presence, and Mimesis through Theatre and Technology"},"content":{"rendered":"\n
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This intensive camp explores new possibilities for technology and performing arts, starting from the contemporary sensibility of multiplex temporalities, spaces, and bodies. Participants will attempt to create works that synthesizes the physicality of the medium of theatre with digital technology, and collaboratively make a whole new kind of theatre.<\/strong><\/p>\n<\/div>\n\n\n\n

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Civic Creative Base Tokyo\u2019s Future Ideations Camp is a series of intensive workshops bringing different kinds of people together to work collaboratively and creatively with art and digital technologies. Around twenty selected participants take part in several days of lectures to acquire new ways of thinking, workshops for building skill sets, and collaborative group activities. During the camps, the general public are also able to attend talks and presentations of the results.

The seventh camp explores theater and technology, and is held in partnership with the Performing Arts Festival: Autumn Meteorite Tokyo<\/a>, which takes place in October. Overseen by three directors active in both technology and theater, this iteration of the camp aims to provide opportunities to learn about using technology in theater as well as offer the chance to explore the medium of theater in specialist ways, and propose a new model of theater for the future.<\/p>\n\n\n\n

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Reference: Future Ideations Camp Vol.4\uff5cUnderstanding and Creatively Expressing Ecosystems as Data\u3000Photo: Saito Junpei<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Reference: Future Ideations Camp Vol.5 : Can AI Become Life?\u3000Photo: Masahiro Muramatsu<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Directors\u2019 Statement<\/strong><\/h3>\n<\/div>\n\n\n\n

Cooking a meal while listening to the radiko app. Drinking a beer while waiting for a live stream to begin. Checking the predicted location of rain clouds thirty minutes from now on the forecast map. Our everyday landscape today emerges from such multiplex layers of time, space, and physicality.

We, the directors of this program, have developed a concept of what constitutes technology and theatre as the superimposing of many phenomena: different entities superimposing their own temporalities and spatialities while retaining their respective differences of rhythm and desire (that is, a state of synchronization and co-presence); and superimposing onto a body or personality another (or many other) bodies and personalities through the act of mimesis. By further superimposing the effects of superimposition that forms the basis of technology and theatre, how can we redefine, expand, or multiply the two?

In order to explore technology and theatre, it is vital first to try moving your hands and body. This camp will feature various intuitive tools, such as a peeler for cooking, a blacklight for detecting Anisakis parasites, and a smart and versatile built-in stove called Pipitto Konro. The participants will learn how to use them with instructors well versed in various technologies related to performance, including forms of digital embodiment like AI and extended reality, sound design, and text manipulation. They will then divide into teams and develop a performance and exhibit over the creative phase of the camp.

The somehow spellbinding aura that surrounds new technology re-summons the ritualistic character of theatre and the shamanistic nature of acting\u2014though it will be a super sober shamanism that coolly and calmly circumvents ecstatic frenzy.
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Program Directors<\/strong><\/h3>\n\n\n\n

\u2013<\/strong> Eguchi Masato (researcher)
\u2013<\/strong> God Scorpion (media artist)
\u2013<\/strong> Shinoda Chiharu (theatre maker and director, after-school instructor, tour guide)
<\/p>\n\n\n\n

Lecturers \/ Facilitators<\/strong><\/strong><\/h3>\n\n\n\n

\u2013<\/strong> JACKSON kaki (artist, DJ, VJ, video artist, graphic designer)
\u2013<\/strong> Kishi Yuma (artist)
\u2013<\/strong> Madoka (modern witch, artist)
\u2013<\/strong> Nakai You (Side Effects Lab of the University of Tokyo)
\u2013<\/strong> Wakui Tomohito (visual artist, music artist, Director and Curator \/ WHITEHOUSE)
\u2013 Yamamoto Hiroki (novelist, designer, critic, editor \/ director, Inu no Senaka-za)<\/p>\n\n\n\n

Outline<\/h3>\n\n\n\n

Dates: October 1 (Wed) \u2013 12 (Sun), 2025 11:00 am \u2013 7:00 pm (subject to change)<\/p>\n\n\n\n

\u203bA participant briefing session (Day 0) will be held on Tuesday, September 9, 2025.

Final Presentation: October 12 (Sun), 2025
Results Exhibition: October 15(Wed) \u2013 19 (Sun), 2025
Venues: Tokyo Metropolitan Theatre Atelier West and Gallery 2
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Program & Curriculum (TBU)<\/h3>\n\n\n\n

Day 0 \u2013September 9 (Tue) 7 p.m. – 8 p.m. Online
<\/strong>Director self-introductions
About the program
Introducing the Lecturers

Day1\u2013 October 1 (Wed) <\/strong>
Introduction
Participant self-introductions
Lecture & Hands-on workshop (Lecturers: Shinoda Chiharu, Kishi Yuma)<\/p>\n\n\n\n

Public Event<\/strong>: Keynote lecture 1 “Theo Triantafyllidis: Feral Systems, an Artist Talk by Theo Triantafyllidis”<\/a>

Day2\u2013  October 2 (Thu)
<\/strong>Lecture & Hands-on workshop (Lecturers: Eguchi Masako, God Scorpion, Nakai You)
Discussion

Public Event<\/strong>: Keynote lecture2 “Elena Knox: The Techne, the Daimon, and the Unknown Superfactor!”
<\/a>
Day3\u2013 October 3 (Fri)<\/strong>
Facilitator self-introductions (Lecturers: JACKSON kaki, Madoka, Yamamoto Hirotaka, Wakui Tomohito)
Rapid Prototyping

Day4\u2013  October 4 (Sat) <\/strong>
Group Work Brainstorming
Co-creating in groups

Public Event<\/strong>: Keynote lecture3 “lololol: Choreography of Collapse”<\/a><\/p>\n\n\n\n

Day5\u2013 October 5 (Sun)<\/strong>
Co-creating in groups
Open Dialogue<\/p>\n\n\n\n

Day6\u301cDay9\u2013 October 7 (Tue) – 10 (Fri) <\/strong>
Creation<\/p>\n\n\n\n

Day10\u2013 October 11 (Sat)<\/strong>
Rehearsal<\/p>\n\n\n\n

October 12 (Sun)<\/strong>
Public event<\/strong>: Final Presentation<\/a>\u3000<\/p>\n\n\n\n

October 15 (Wed) – 19 (Sun)<\/strong>
Public event<\/strong>: Results Exhibition<\/a><\/p>\n<\/div>\n\n\n\n

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Reference: Future Ideations Camp vol.1: Import *<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Reference: Future Ideations Camp Vol.5 : Can AI Become Life?\u3000Photo: Masahiro Muramatsu<\/figcaption><\/figure>\n\n\n\n
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Reference: Future Ideations Camp Vol.4\uff5cUnderstanding and Creatively Expressing Ecosystems as Data\u3000Photo: Saito Junpei<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Application Guidlines<\/h3>\n\n\n\n

Application Period : July 23 (Wed) \u2013 August 31 (Sun), 2025<\/s> *Application closed
Participant Numbers: Around 20
All ages

Participation Requirements
\u2013<\/strong> Be able to participate in the whole program during the session
\u2013<\/strong> Have a proven track record of research or creative activities 
\u2013<\/strong> Be able to apply the content of the workshop to their own future activities

Example Participants
\u2013<\/strong> People involved in creative practices who want to use technology in their work
\u2013<\/strong> People who want to try creating a work in the new field of the performing arts
\u2013<\/strong> Researchers and students with interests in new forms of expression and experimental practices that transcend conventional disciplinary boundaries
\u2013<\/strong> People no longer involved in creative practices due to parenting, illness, caregiving, or other reasons, and who want to restart their activities<\/p>\n\n\n\n

. . . And more<\/p>\n\n\n\n


Selection Criteria<\/strong><\/strong>
<\/strong>Selection will be made based on the application.

Result Notification
<\/strong>The result will be notified through email on September 6th, 2025. (subject to change)

Application Process<\/strong>
Please apply via the application form. 
Alternatively, please send an email (ccbt@rekibun.or.jp) including the following items with \u201cFuture Ideations Camp Application\u201d in the subject line.<\/s>

\u2013 Full Name
\u2013 Age
\u2013 City \u200b\u200bof Residence
\u2013 Email Address
\u2013 Occupation \/ Affiliation
\u2013 Areas of expertise(Art, Theater, Design, Engineering, Music, Education, Religious Studies, Humanities, Environmental Studies, Philosophy, Others)
\u2013 What aspects of this camp interest you and what challenges you’d like to pursue, based on your own desires?
\u2013 Please indicate if you need any accessibility support. (Examples: Sign language interpretation, Text-based support)
\u2013 State the link, if you have a portfolio, video materials, websites, or GitHub that introduces your initiatives.<\/p>\n\n\n\n

Staff<\/strong>

Program Direction<\/strong>
Ito Takayuki (CCBT)
Dramaturg<\/strong>
Hatori Yoshiro (Autumn Meteorite), Kimura Yusuke (&Co.)
Program Management<\/strong>
Hanzawa Hirohiko (Autumn Meteorite), Ito Haruka (CCBT), Kashima Moeko, Terada Rin (Autumn Meteorite)
Technical Direction<\/strong><\/strong>
Miura Daiki\u00a0(arsaffix)
Technical staff<\/strong>
Gamze Baktir (arsaffix), Hirase Miki (arsaffix), Inada Shunpei (CCBT), Ito Yuya (arsaffix), Murakawa Ryuji (arsaffix), Otsuto Masashi (CCBT), Sen van der Heide (CCBT)
Live Streaming<\/strong>
Okamoto Akio (Ney-Anton G.K.)
Archive<\/strong>
Miyazawa Hibiki (COG WORKS Co., Ltd.), Shunsuke Watanabe
Stage Management<\/strong>
Sato Yukimi (Stage Work URAK Co.,Ltd)
Operation<\/strong>
Hayashi Keiichi (onocoro), Kanmuri Nanana (onocoro), Iwanaka Kanako (onocoro), Koizumi Miki (onocoro)<\/p>\n<\/div>\n\n\n\n

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Performing Arts Festival: Autumn Meteorite Tokyo 2025<\/strong><\/p>\n\n\n\n

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Performing Arts Festival: Autumn Meteorite Tokyo 2025<\/a>, an international performing arts festival held primarily at the Tokyo Metropolitan Theatre in Ikebukuro, Toshima City, from October 1 to November 3, 2025. The Artistic Director is Toshiki Okada, who is active both in Japan and overseas as a playwright, director, novelist, and leader of the theater company chelfitsch. Under his direction, the festival aims to become a truly international performing arts festival that is inclusive and open to all. Autumn Meteorite seeks to create opportunities for audiences to become aware of different forms of reality and to reframe the world through new perspectives. The festival hopes that performing arts expressions from Japan and around the world, taking place here and now, will feel more personal, relatable, and resonant. The 2025 edition will consist of three main components: the Performance Program, featuring 14 productions from Japan and abroad; the Non-Performance Program, offering lectures, workshops, and other activities; and Hello and Welcome, an attendee support initiative that ensures accessibility and an inviting environment for all visitors.<\/p>\n\n\n\n

Organizer: Tokyo Festival Executive Committee [Tokyo Metropolitan Government, Tokyo Metropolitan Theatre (Tokyo Metropolitan Foundation for History and Culture)]
Support: Agency for Cultural Affairs, Government of Japan Japan Arts Council
Sponsor: Asahi Group Japan, Ltd.
Media Partner: Tokyo Art Beat
In cooperation with: Toshima city, SEIBU RAILWAY Co.,Ltd, TOBU RAILWAY CO., Ltd<\/p>\n\n\n\n

\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

This intensive camp explores new possibilities for technology and performing arts, starting from the contemporary sensibility of multiplex temporalities, spaces, and bodies. Participants will attempt to create works that synthesizes the physicality of the medium of theatre with digital technology, and collaboratively make a whole new kind of theatre. Civic Creative Base Tokyo\u2019s Future Ideations Camp is a series of intensive workshops bringing different kinds of people together to work collaboratively and creatively with art and digital technologies. Around twenty selected participants take part in several days of lectures to acquire new ways of thinking, workshops for building skill sets, and collaborative group activities. During the camps, the general public are also able to attend talks and presentations of the results. The seventh camp explores theater and technology, and is held in partnership with the Performing Arts Festival: Autumn Meteorite Tokyo, which takes place in October. Overseen by three directors active in both technology and theater, this iteration of the camp aims to provide opportunities to learn about using technology in theater as well as offer the chance to explore the medium of theater in specialist ways, and propose a new model of theater for the future. Directors\u2019 Statement Cooking a meal while listening to the radiko app. Drinking a beer while waiting for a live stream to begin. Checking the predicted location of rain clouds thirty minutes from now on the forecast map. Our everyday landscape today emerges from such multiplex layers of time, space, and physicality. We, the directors of this program, have developed a concept of what constitutes technology and theatre as the superimposing of many phenomena: different entities superimposing their own temporalities and spatialities while retaining their respective differences of rhythm and desire (that is, a state of synchronization and co-presence); and superimposing onto a body or personality another (or many other) bodies and personalities through the act of mimesis. By further superimposing the effects of superimposition that forms the basis of technology and theatre, how can we redefine, expand, or multiply the two? In order to explore technology and theatre, it is vital first to try moving your hands and body. This camp will feature various intuitive tools, such as a peeler for cooking, a blacklight for detecting Anisakis parasites, and a smart and versatile built-in stove called Pipitto Konro. The participants will learn how to use them with instructors well versed in various technologies related to performance, including forms of digital embodiment like AI and extended reality, sound design, and text manipulation. They will then divide into teams and develop a performance and exhibit over the creative phase of the camp. The somehow spellbinding aura that surrounds new technology re-summons the ritualistic character of theatre and the shamanistic nature of acting\u2014though it will be a super sober shamanism that coolly and calmly circumvents ecstatic frenzy. Program Directors \u2013 Eguchi Masato (researcher)\u2013 God Scorpion (media artist)\u2013 Shinoda Chiharu (theatre maker and director, after-school instructor, tour guide) Lecturers \/ Facilitators \u2013 JACKSON kaki (artist, DJ, VJ, video artist, graphic designer)\u2013 Kishi Yuma (artist)\u2013 Madoka (modern witch, artist)\u2013 Nakai You (Side Effects Lab of the University of Tokyo)\u2013 Wakui Tomohito (visual artist, music artist, Director and Curator \/ WHITEHOUSE)\u2013 Yamamoto Hiroki (novelist, designer, critic, editor \/ director, Inu no Senaka-za) Outline Dates: October 1 (Wed) \u2013 12 (Sun), 2025 11:00 am \u2013 7:00 pm (subject to change) \u203bA participant briefing session (Day 0) will be held on Tuesday, September 9, 2025. Final Presentation: October 12 (Sun), 2025Results Exhibition: October 15(Wed) \u2013 19 (Sun), 2025Venues: Tokyo Metropolitan Theatre Atelier West and Gallery 2 Program & Curriculum (TBU) Day 0 \u2013September 9 (Tue) 7 p.m. – 8 p.m. OnlineDirector self-introductionsAbout the programIntroducing the Lecturers Day1\u2013 October 1 (Wed) IntroductionParticipant self-introductionsLecture & Hands-on workshop (Lecturers: Shinoda Chiharu, Kishi Yuma) Public Event: Keynote lecture 1 “Theo Triantafyllidis: Feral Systems, an Artist Talk by Theo Triantafyllidis” Day2\u2013  October 2 (Thu)Lecture & Hands-on workshop (Lecturers: Eguchi Masako, God Scorpion, Nakai You)Discussion Public Event: Keynote lecture2 “Elena Knox: The Techne, the Daimon, and the Unknown Superfactor!”Day3\u2013 October 3 (Fri)Facilitator self-introductions (Lecturers: JACKSON kaki, Madoka, Yamamoto Hirotaka, Wakui Tomohito)Rapid Prototyping Day4\u2013  October 4 (Sat) Group Work BrainstormingCo-creating in groups Public Event: Keynote lecture3 “lololol: Choreography of Collapse” Day5\u2013 October 5 (Sun)Co-creating in groupsOpen Dialogue Day6\u301cDay9\u2013 October 7 (Tue) – 10 (Fri) Creation Day10\u2013 October 11 (Sat)Rehearsal October 12 (Sun)Public event: Final Presentation\u3000 October 15 (Wed) – 19 (Sun)Public event: Results Exhibition Application Guidlines Application Period : July 23 (Wed) \u2013 August 31 (Sun), 2025 *Application closedParticipant Numbers: Around 20All agesParticipation Requirements\u2013 Be able to participate in the whole program during the session\u2013 Have a proven track record of research or creative activities \u2013 Be able to apply the content of the workshop to their own future activities Example Participants\u2013 People involved in creative practices who want to use technology in their work\u2013 People […]<\/p>\n","protected":false},"author":16,"featured_media":41237,"template":"","meta":{"_locale":"en_US","_original_post":"https:\/\/ccbt.rekibun.or.jp\/?post_type=event&p=40153","footnotes":""},"categories":[28],"tags":[7,16],"query-loop-label":[],"class_list":["post-40896","event","type-event","status-publish","has-post-thumbnail","hentry","category-camp","tag-event","tag-free","en-US"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event\/40896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/users\/16"}],"version-history":[{"count":73,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event\/40896\/revisions"}],"predecessor-version":[{"id":43951,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event\/40896\/revisions\/43951"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media\/41237"}],"wp:attachment":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media?parent=40896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/categories?post=40896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/tags?post=40896"},{"taxonomy":"query-loop-label","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/query-loop-label?post=40896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}