{"id":13900,"date":"2024-02-01T20:06:54","date_gmt":"2024-02-01T11:06:54","guid":{"rendered":"https:\/\/ccbt.rekibun.or.jp\/?post_type=event&p=13900"},"modified":"2024-02-16T20:18:23","modified_gmt":"2024-02-16T11:18:23","slug":"poemsincode","status":"publish","type":"event","link":"https:\/\/ccbt.rekibun.or.jp\/en\/events\/poemsincode","title":{"rendered":"“Poems in Code: Generative Art Today and Programming-Generated Moving Image”"},"content":{"rendered":"\n
\n

<Civic Creative Base Tokyo \u00d7 Yebisu International Festival for Art & Alternative Visions 2024 Collaboration Program><\/strong>
CCBT\u2019s Future Ideation Camp evolves into screenings of generative art on a large public screen at Yebisu International Festival for Art & Alternative Visions 2024<\/strong>
*Screening schedule will be announced at the end of January.<\/p>\n<\/div>\n\n\n\n

Lineup of works by twelve international artists and camp participants
Showcasing diverse forms of expression made possible by programming and algorithms as a language for moving image creativity<\/em><\/h2>\n\n\n\n
\n
\n

\u25a0Outline<\/strong>
Yebisu International Festival for Art & Alternative Visions 2024<\/strong>Off-site Project
Poems in Code: Generative Art Today and Programming-Generated Moving Image<\/strong>
Civic Creative Base Tokyo \u00d7 Yebisu International Festival for Art & Alternative Visions 2024 Collaboration Program<\/em>
Date & Time: Friday, February 2 \u2013 Sunday, February 18, 2024 10:00-20:00 (Until 18:00 on the final day)<\/strong>
* Closed on Mondays [Please note the exhibition is open on Monday, February 12 but closed on Tuesday, February 13]
Venue: Center Square of Ebisu Garden Place\u3000\u3000Admission: Free<\/strong><\/p>\n\n\n\n

Planning: Civic Creative Base Tokyo
Program Directors: Seo Hyo-jung (Artist \/ Lecturer of “CCBT “Future Ideations Camp vol.1: Import*”), Takawo Shunsuke (Artist \/ Chairman of the Japan Generative Art Foundation \/ Program director of \u201cFuture Ideations Camp Vol.2 | setup(): Making New Rules with Blockchains\u201d)<\/p>\n<\/div>\n\n\n\n

\n
\"\"\/<\/a>
Screening Schedule<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

\n

As a further development of one of its core programs, Future Ideations Camp, Civic Creative Base Tokyo (CCBT) is partnering with Yebisu International Festival for Art & Alternative Visions 2024 to organize a special lineup of screenings of generative art as an off-site exhibition at the festival.
Future Ideation Camp is a series of intensive workshops hosted by CCBT, bringing together various creatives and specialists to come up with new expressive approaches through art and digital technology. The first camp in February 2023 explored the theme of computational design, followed by a second camp in September that examined blockchain technology. The two events featured some eighty guest instructors and participants from Japan and around the world.
CCBT is partnering with Yebisu International Festival for Art & Alternative Visions 2024 to present an off-site exhibition that will further develop the issues raised in these camps, and showcase programming as a language for moving image expression through examples of generative art. This umbrella term refers to forms of art created in whole or part by algorithms and autonomous systems. Such works have gained attention recently as NFT art.
The central plaza at Yebisu Garden Place will host an approximately four-meter screen, attempting to transform digital signage in the city into a public forum for video media as forms of individual and community expression. The lineup of screenings at the plaza will feature vividly created videos generated by programming, directly connecting personal online art trends with urban space to present the rich potential for video media in society and the city.
In addition to twelve invited artists from Japan and overseas, the program will also include works that resulted from the camps, giving viewers the opportunity to explore the new possibilities that programming offers as a language for video expression, and the remarkable creativity that algorithms enable.<\/strong><\/p>\n\n\n\n

\u25a0Artists<\/h2>\n\n\n\n
\n
\n
\n
\n

\uff3binvited artists\uff3d
– Alexis Andr\u00e9
– Joshua Davis
– Saeko Ehara<\/strong>
– eziraros
– Fingacode
– Seo Hyo-jung
– Zach Lieberman
– mole cubed
– Casey Reas
– Alida Sun
– Takawo Shunsuke
– Yazid<\/strong><\/p>\n<\/div>\n\n\n\n

\n

[CCBT Future Ideation Camp participants]
– Abe Kazuki
– 0xhaiku
– Oyama Takafumi
– k-ogi
– Kobayashi Masayuki
– SuzukiYushin
– Senbaku
– Tajima Takumi
– teshnakamura
– Joyce den Hertog
– Namikawa Kosaku<\/strong><\/strong><\/strong>
– _hyp
– Misa Haneda<\/strong>
– mossan99
– Samuel YAN<\/strong>
<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\n
\n
\"\"
Seo Hyo-jung, Redraw with Code<\/em>, 2021, “Port to the New Era,” Incheon Int’l Airport (ICN), Seol<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"
Takawo Shunsuke, JaggedMemories<\/em>, 2023<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\n\n\n\n
\n

\u25b6\ufe0e invited artists<\/strong><\/h3>\n<\/div>\n\n\n\n
\n
\n
\n
\n

Alexis Andr\u00e9
14<\/em><\/strong> (2024)<\/h4>\n<\/div>\n<\/div>\n\n\n\n
\"\"
Messengers #16, 2021<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\n
\n

Joshua Davis
After you Florals<\/em><\/strong> (2023)<\/h4>\n<\/div>\n<\/div>\n\n\n\n
\"\"
Reference Image: Joshua Davis floral<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Saeko Ehara<\/strong>
Flowers In Season<\/em><\/strong> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
<\/div>\n<\/div>\n\n\n\n
\n
\n
\n

eziraros
Walk in Progress: behind the scenes<\/em><\/strong> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Fingacode
Living In The Most Uncertain Situation<\/em><\/strong> (2023)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Zach Lieberman
Daily Sketches<\/em><\/strong>
(2016-2023)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

Seo Hyo-jung
Borrowed Landscapes<\/strong><\/em>
(2020-2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

mole cubed
life-forms of colors<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Casey Reas
There’s No Distance<\/em>
(2023)<\/h4>\n\n\n\n
\"\"
Courtesy bitforms gallery, New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
\n

Alida Sun
O Sea Sunbirds<\/em> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Takawo Shunsuke
Geometric Rhapsody<\/em> (2023)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Yazid
Homage to Broodthaers<\/em> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\n
\n

\u25b6\ufe0e <\/strong>CCBT Future Ideation Camp participants<\/h3>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Abe Kazuki
Pulse of Sphere<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

0xhaiku view from high-rise, (masterpiece, ultra detailed, best quality)<\/em><\/strong> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Oyama Takafumi
Become a scenery<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n


<\/p>\n\n\n\n

\n
\n

mossan99
Opt-ill-V01<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

k-ogi<\/strong>
Orange and light blue<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Kobayashi Masayuki
Retracing Azure Memories<\/em><\/strong>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n


<\/p>\n\n\n\n

\n
\n

SuzukiYushin<\/strong>
Vectors of Sentences “Coded Language” Saul Williams<\/em> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Senbaku
Daily ladders<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Tajima Takumi For whom do all the flowers blossom in the spring?<\/em> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

teshnakamura
Just alive (with no particular aim)<\/em> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Joyce den Hertog
Blue to Green<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

_hyp
tear blob tracking v0.0<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
<\/div>\n<\/div>\n\n\n\n
\n
\n

Namikawa Kosaku
codec play<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Misa Haneda
I can feel you because I am here.<\/em> (2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Samuel YAN
Noise Planet v2024<\/em>
(2024)<\/h4>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n


<\/p>\n","protected":false},"excerpt":{"rendered":"

<Civic Creative Base Tokyo \u00d7 Yebisu International Festival for Art & Alternative Visions 2024 Collaboration Program>CCBT\u2019s Future Ideation Camp evolves into screenings of generative art on a large public screen at Yebisu International Festival for Art & Alternative Visions 2024*Screening schedule will be announced at the end of January. Lineup of works by twelve international artists and camp participantsShowcasing diverse forms of expression made possible by programming and algorithms as a language for moving image creativity \u25a0OutlineYebisu International Festival for Art & Alternative Visions 2024Off-site ProjectPoems in Code: Generative Art Today and Programming-Generated Moving ImageCivic Creative Base Tokyo \u00d7 Yebisu International Festival for Art & Alternative Visions 2024 Collaboration ProgramDate & Time: Friday, February 2 \u2013 Sunday, February 18, 2024 10:00-20:00 (Until 18:00 on the final day)* Closed on Mondays [Please note the exhibition is open on Monday, February 12 but closed on Tuesday, February 13]Venue: Center Square of Ebisu Garden Place\u3000\u3000Admission: Free Planning: Civic Creative Base TokyoProgram Directors: Seo Hyo-jung (Artist \/ Lecturer of “CCBT “Future Ideations Camp vol.1: Import*”), Takawo Shunsuke (Artist \/ Chairman of the Japan Generative Art Foundation \/ Program director of \u201cFuture Ideations Camp Vol.2 | setup(): Making New Rules with Blockchains\u201d) As a further development of one of its core programs, Future Ideations Camp, Civic Creative Base Tokyo (CCBT) is partnering with Yebisu International Festival for Art & Alternative Visions 2024 to organize a special lineup of screenings of generative art as an off-site exhibition at the festival.Future Ideation Camp is a series of intensive workshops hosted by CCBT, bringing together various creatives and specialists to come up with new expressive approaches through art and digital technology. The first camp in February 2023 explored the theme of computational design, followed by a second camp in September that examined blockchain technology. The two events featured some eighty guest instructors and participants from Japan and around the world.CCBT is partnering with Yebisu International Festival for Art & Alternative Visions 2024 to present an off-site exhibition that will further develop the issues raised in these camps, and showcase programming as a language for moving image expression through examples of generative art. This umbrella term refers to forms of art created in whole or part by algorithms and autonomous systems. Such works have gained attention recently as NFT art.The central plaza at Yebisu Garden Place will host an approximately four-meter screen, attempting to transform digital signage in the city into a public forum for video media as forms of individual and community expression. The lineup of screenings at the plaza will feature vividly created videos generated by programming, directly connecting personal online art trends with urban space to present the rich potential for video media in society and the city.In addition to twelve invited artists from Japan and overseas, the program will also include works that resulted from the camps, giving viewers the opportunity to explore the new possibilities that programming offers as a language for video expression, and the remarkable creativity that algorithms enable. \u25a0Artists \uff3binvited artists\uff3d– Alexis Andr\u00e9– Joshua Davis– Saeko Ehara– eziraros– Fingacode– Seo Hyo-jung– Zach Lieberman– mole cubed– Casey Reas– Alida Sun– Takawo Shunsuke– Yazid [CCBT Future Ideation Camp participants]– Abe Kazuki– 0xhaiku– Oyama Takafumi– k-ogi– Kobayashi Masayuki– SuzukiYushin– Senbaku– Tajima Takumi– teshnakamura– Joyce den Hertog– Namikawa Kosaku– _hyp– Misa Haneda– mossan99– Samuel YAN \u25b6\ufe0e invited artists Alexis Andr\u00e914 (2024) Joshua DavisAfter you Florals (2023) Saeko EharaFlowers In Season (2024) ezirarosWalk in Progress: behind the scenes (2024) FingacodeLiving In The Most Uncertain Situation (2023) Zach LiebermanDaily Sketches(2016-2023) Seo Hyo-jungBorrowed Landscapes(2020-2024) mole cubedlife-forms of colors(2024) Casey ReasThere’s No Distance(2023) Alida SunO Sea Sunbirds (2024) Takawo ShunsukeGeometric Rhapsody (2023) YazidHomage to Broodthaers (2024) \u25b6\ufe0e CCBT Future Ideation Camp participants Abe KazukiPulse of Sphere(2024) 0xhaiku view from high-rise, (masterpiece, ultra detailed, best quality) (2024) Oyama TakafumiBecome a scenery(2024) mossan99Opt-ill-V01(2024) k-ogiOrange and light blue(2024) Kobayashi MasayukiRetracing Azure Memories(2024) SuzukiYushinVectors of Sentences “Coded Language” Saul Williams (2024) SenbakuDaily ladders(2024) Tajima Takumi For whom do all the flowers blossom in the spring? (2024) teshnakamuraJust alive (with no particular aim) (2024) Joyce den HertogBlue to Green(2024) _hyptear blob tracking v0.0(2024) Namikawa Kosakucodec play (2024) Misa HanedaI can feel you because I am here. (2024) Samuel YANNoise Planet v2024 (2024)<\/p>\n","protected":false},"author":7,"featured_media":13686,"template":"","meta":{"_locale":"en_US","_original_post":"https:\/\/ccbt.rekibun.or.jp\/?post_type=event&p=13583","footnotes":""},"categories":[32],"tags":[16],"query-loop-label":[],"class_list":["post-13900","event","type-event","status-publish","has-post-thumbnail","hentry","category-collaboration","tag-free","en-US"],"aioseo_notices":[],"jetpack_sharing_enabled":false,"_links":{"self":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event\/13900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/users\/7"}],"version-history":[{"count":97,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event\/13900\/revisions"}],"predecessor-version":[{"id":15278,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/event\/13900\/revisions\/15278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media\/13686"}],"wp:attachment":[{"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/media?parent=13900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/categories?post=13900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/tags?post=13900"},{"taxonomy":"query-loop-label","embeddable":true,"href":"https:\/\/ccbt.rekibun.or.jp\/wp-json\/wp\/v2\/query-loop-label?post=13900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}